Summary

Portrait of Frank Podmore Frank Podmore The Naturalisation of the Supernatural… (1908)

I stood at the top of the kitchen stairs, where there is a door into the garden behind the house. I saw a lady pass by, rather tall, in black silk, with white collar and cuffs, a handkerchief in her hand, and a widow's fall. I had heard about the ghost, but it never struck me that this figure could be a ghost—it looked so like an ordinary person. I thought that some one had come to call and missed her way to the door. The family were at tea and I was merely waiting, so out of curiosity I followed the lady round the house.
Source: Wikisource

Portrait of Frank Podmore Frank Podmore The Naturalisation of the Supernatural… (1908)

While Moir was on the way from the house, the idea of his dream occurred to him with such intense vividness that he turned and went back to the house. Saying nothing to any one in the house, he took a spade, and walked direct to the spot of which he had so distinct a recollection in connection with his dream, and removed a little of the turf from the surface. After he had done so, he put the spade down its full length into the ground and lifted up the earth. In the spadeful of earth, however, there was an entire human skull.
Source: Wikisource

Portrait of Frank Podmore Frank Podmore The Naturalisation of the Supernatural… (1908)

The old notion that a ghost was actually the spirit of the deceased person himself was inextricably bound up with the assumption that the figure seen had a material or objective reality. If we admit that the thing seen is but a dream figure, it becomes natural to endeavour to trace its source to an agency of whose operation we have independent proof—that is, thought transference from the living.
Source: Wikisource

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