G. E. Mitton

Summary

G. E. Mitton,  Chelsea

“ The solid and yet harmonious building designed by Sir Christopher Wren is the nucleus of Chelsea. Indeed, the inhabitants locally call the hospital itself “Chelsea.” In all prints later than the end of the seventeenth century the central cupola rising above the two great wings forms a conspicuous landmark. In the days of William and Mary the gardens sloping down to the Thames were laid out in the stiff, formal Dutch style. Canals, in the shape of a capital L, with the foot reaching to the river, intersected prim gardens, and rows of little limes, pollarded like willows, edged the banks. ”
Source: Gutenberg

G. E. Mitton,  Chelsea

“ It is strange to see the worn, homely faces of the infirm pensioners, in contrast with the magnificent white marble mantelpiece and the finely moulded ceiling. The connecting wing holds the Matron’s room in addition to the wards. The patients suffer from the complaints of old age, rheumatism, blindness, paralysis; few of them are permanently in the infirmary, and with the season of the year the numbers vary. In the summer it is found possible to close one ward entirely. There is a staff of nurses, and the old men are well looked after. ”
Source: Gutenberg

G. E. Mitton,  Chelsea

“ Round the walls are glazed tiles to the memory of the men of the Guards who have died. The oak pulpit is modern, and the font, cut from a solid block of dark-veined marble and supported by four pillars, stands on a small platform of tessellated pavement. Passing out of the central gateway of the barracks and turning northward, we come to the junction of Pimlico Road and Queen’s Road. From this point to the corner of Smith Street the road is known as Queen’s Road. Along the first part of its southern side is the ancient burial-ground of the 9 hospital. ”
Source: Gutenberg

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