Summary

Portrait of G. K. Chesterton G. K. Chesterton What's Wrong with the World

The idea of private property universal but private, the idea of families free but still families, of domesticity democratic but still domestic, of one man one house—this remains the real vision and magnet of mankind. The world may accept something more official and general, less human and intimate. But the world will be like a broken-hearted woman who makes a humdrum marriage because she may not make a happy one; Socialism may be the world’s deliverance, but it is not the world’s desire.
Source: Gutenberg

Portrait of G. K. Chesterton G. K. Chesterton What's Wrong with the World (1910)

I may silently support all the obscene fictions and forgeries in the universe, without once telling a lie. I may wear another man’s coat, steal another man’s wit, apostatize to another man’s creed, or poison another man’s coffee, all without ever telling a lie. But no English school-boy is ever taught to tell the truth, for the very simple reason that he is never taught to desire the truth. From the very first he is taught to be totally careless about whether a fact is a fact; he is taught to care only whether the fact can be used on his “side” when he is engaged in “playing the game.”
Source: Gutenberg

Portrait of G. K. Chesterton G. K. Chesterton What's Wrong with the World (1910)

There is no blue much bluer than Reckitt’s Blue and no blacking blacker than Day and Martin’s; no more emphatic yellow than that of Colman’s Mustard. If, despite this chaos of color, like a shattered rainbow, the spirit of the small boy is not exactly intoxicated with art and culture, the cause certainly does not lie in universal grayness or the mere starving of his senses. It lies in the fact that the colors are presented in the wrong connection, on the wrong scale, and, above all, from the wrong motive. It is not colors he lacks, but a philosophy of colors.
Source: Gutenberg

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