Summary

Portrait of George Douglas Brown George Douglas Brown The House with the Green Shutters

All men are suffused with that quiet pride in looking at the houses and lands which they have won by their endeavours—in looking at the houses more than at the lands, for the house which a man has built seems to express his character and stand for him before the world, as a sign of his success. It is more personal than cold acres, stamped with an individuality. All men know that soothing pride in the contemplation of their own property. But in Gourlay's sense of property there was another element—an element peculiar to itself, which endowed it with its warmest glow.
Source: Gutenberg

Portrait of George Douglas Brown George Douglas Brown The House with the Green Shutters

Our insight is often deepest into those we hate, because annoyance fixes our thought on them to probe. We cannot keep our minds off them. "Why do they do it?" we snarl, and wondering why, we find out their character. Gourlay was not an observant man, but every man is in any man somewhere, and hate to-night driving his mind into Wilson, helped him to read him like an open book. He recognized with a vague uneasiness—not with fear, for Gourlay did not know what it meant, but with uneasy anger—the superior cunning of his rival.
Source: Gutenberg

Portrait of George Douglas Brown George Douglas Brown The House with the Green Shutters

Gourlay was hard up for money. Every day of his life taught him that he was nowhere in the stress of modern competition. The grand days—only a few years back, but seeming half a century away, so much had happened in between—the grand days when he was the only big man in the locality, and carried everything with a high hand, had disappeared for ever. Now all was bustle, hurry, and confusion, the getting and sending of telegrams, quick dispatches by railway, the watching of markets at a distance, rapid combinations that bewildered Gourlay's duller mind.
Source: Gutenberg

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