Summary

Portrait of George Eliot George Eliot Silas Marner: The Weaver of Raveloe… (1907)

The questionable sound of Silas's loom, so unlike the natural cheerful trotting of the winnowing-machine, or the simpler rhythm of the flail, had a half-fearful fascination for the Raveloe boys, who would often leave off their nutting or birds'-nesting to peep in at the window of the stone cottage, counterbalancing a certain awe at the mysterious action of the loom, by a pleasant sense of scornful superiority, drawn from the mockery of its alternating noises, along with the bent, tread-mill attitude of the weaver.
Source: Wikisource

Portrait of George Eliot George Eliot Silas Marner: The Weaver of Raveloe… (1907)

You stole the money, and you have woven a plot to lay the sin at my door. But you may prosper, for all that: there is no just God that governs the earth righteously, but a God of lies, that bears witness against the innocent.'
There was a general shudder at this blasphemy.
William said meekly, 'I leave our brethren to judge whether this is the voice of Satan or not. I can do nothing but pray for you, Silas.'
Poor Marner went out with that despair in his soul—that shaken trust in God and man, which is little short of madness to a loving nature.
Source: Wikisource

Portrait of George Eliot George Eliot Silas Marner: The Weaver of Raveloe… (1907)

No, no; it was no stroke that would let a man stand on his legs, like a horse between the shafts, and then walk off as soon as you can say 'Gee!' But there might be such a thing as a man's soul being loose from his body, and going out and in, like a bird out of its nest and back; and that was how folks got over-wise, for they went to school in this shell-less state to those who could teach them more than their neighbours could learn with their five senses and the parson. And where did Master Marner get his knowledge of herbs from—and charms, too, if he liked to give them away?
Source: Wikisource

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