Summary

Portrait of George Haven Putnam George Haven Putnam Books and their makers during the Middle Ages… (1896)

The reading public, which, as far as the mass of the people was concerned, came into existence only with the application of the printing-press to the literature of the Reformation, grew up, therefore, with the general belief that nothing more was due to the author than to read his teachings in any form in which they could be obtained, and for these earlier readers any distinction between an authorised and an unauthorised edition was, for more reasons than one, an impossibility.
Source: Gutenberg

Portrait of George Haven Putnam George Haven Putnam Books and their makers during the Middle Ages… (1896)

When we recall the long series of contests carried on by the printers of Venice and of Florence against the ecclesiastical censorship of Rome, and the almost equally hampering obstacles placed upon the printer-publishers of Paris, first by the theologians of the Sorbonne, and, later, by the officials of the Crown, we can appreciate the value of the freedom enjoyed by the Press in Leyden and in Amsterdam, in the history of publishing in which places, there is hardly a single reference to the burdens of interference or censorship.
Source: Gutenberg

Portrait of George Haven Putnam George Haven Putnam Books and their makers during the Middle Ages… (1896)

During this long period in which the chief difficulty lay in the distribution of books, and in which an author who had anything to say to the world was only too happy if, during his own lifetime, it might prove practicable to reach with his books any number of men outside of his own immediate circle, there could, of course, be no question of property or copyright control in the literary production. Such property as might be said to exist in literature pertained solely to the material form, the manuscript produced, which represented a certain value for parchment and for labour.
Source: Gutenberg

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