Summary

Portrait of George Kibbe Turner George Kibbe Turner The Thumbless Black Hand, or the Coming of Gonfardino (1923)

The Morning Truth, on the other hand turned an entirely new light upon the apprehension which was now holding the people of Chibosh enthralled. The top of its front page was ornamented with a portrait which many thousands recognized at first glance; the portrait of a man of tremendous force, with a neck and jaw still heavier than old Mike Boogan's, and a steady, relentless gaze—the quite-often-published likeness of Francis X. Doheney, the great detective.
Source: Wikisource

Portrait of George Kibbe Turner George Kibbe Turner The Thumbless Black Hand, or the Coming of Gonfardino (1923)

Again the Black-Hand Squad of old Mike Boogan and the far-flung fingers of Francis X. Doheney, poised above the haunts and lairs of the thumbless black-hander, had not yet fallen. And again Mayor True, head of all the people, white or black, had stated through the public address that he would not fail, for any foolish fears, the Italian-American citizens in the granting of the freedom of Chibosh to General Gonfardino, the idol of Italy, who, though still on the ocean, somewhat delayed, yet sent ahead once more his reassuring message: “Giuseppe Gonfardino will be there.”
Source: Wikisource

Portrait of George Kibbe Turner George Kibbe Turner The Thumbless Black Hand, or the Coming of Gonfardino (1923)

Meanwhile Michael F. Melody, perhaps the most active mind in all that great active-minded population, sat in the publicity factory of Mayor True in conference with a small dark man, with a small neat mustache and curly hair and wood-brown eyes—the expert upon Italian impulses and reactions who had so often been his personal agent and adviser in his international ward politics among the voters of that population.
Source: Wikisource

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