George O. Smith

George O. Smith

Hellflower (1953)

Summary

Portrait of George O. Smith George O. Smith Hellflower (1953)

Farradyne looked at Carolyn. "Surrender," he suggested to her. "Then we'll move in quietly and count off your people. We've lost many of ours, so we'll just tally off so many men to be murdered in cold blood. So many virgins to be ravished. So many wives to be left without husbands and so many husbands left without wives. Children left homeless to such and such a number." His voice rose. "So much hunger; so much pestilence; so much famine; so much death. What in the hell do you think we are, Carolyn, a race of God damned vultures?"
Source: Gutenberg

Portrait of George O. Smith George O. Smith Hellflower (1953)

And, like the rest of the spaceman breed, Farradyne was something of a gadgeteer.
Spacing, in a sense, was very much like the manning of a sailing ship of the nineteenth century. When something needed attention, in space it was during maneuver for landing, take-off, or turn-over; on sea it was coming about on a tack or setting sail, a full-time attention was necessary. Between periods of activity, the spaceman sat on his duff and waited for one of the silent twinkles to detach itself from the stellar curtain above his observation dome and become a planet or destination.
Source: Gutenberg

Portrait of George O. Smith George O. Smith Hellflower (1953)

It struck him funny after a bit, and while he was laughing at himself, he concocted a ludicrous picture of himself kissing Carolyn Niles, and she responding in a three-toned moan.
Alone and lost in his own thoughts, Farradyne slipped deeper and deeper into his daydream, until he answered her throaty little sound with an audible reply.
"I love you," he said, straining at his vocal cords. It sounded like an over-age choir boy whose voice was not ready to stay in one key yet. Soprano and baritone and tenor sounded the words, but they came out in sequence instead of all at once.
Source: Gutenberg

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