“ Twenty grains of cocaine and morphine a day, eighty times the amount an average dope fiend uses, enough to kill forty men, fifteen years at it too,—this is the record of Dopy Phil Harris, the human dope marvel found to-day by the California Board of Pharmacy in its combing of the San Francisco underworld. ”
Dope
Definition and stakes
The term "dope," frequently linked to narcotics, appears in literature as a motif connected to addiction, secrecy, and moral complexity. Authors like M. Lyle Spencer illustrate its destructive extremes, as seen in his description of a "dope fiend" consuming harmful amounts, while B. M. Bower alludes to its hidden storage, such as "dope in the cushion.
" Allan George Gray conveys its seductive appeal through a fragrant, suffocating liquid, and Arthur Conan Doyle portrays its compulsive hold in a character’s anguish over a lost bottle. These diverse depictions highlight the theme’s dual nature—as both a tangible substance and a symbol of confinement—reflecting its widespread impact across literary works.
Quotes about “dope”
B. M. Bower,
The Trail of the White Mule — Chapter 15
(1922)
“ Which you're not. You're acting as my agent now, Ryan, and it will take two heads to put this over without a hitch. Sure, put the kegs out of sight first. The bottles next—and then we'll make short work of the dope in the cushion. ”
Allan George Gray, Once a Week (1862)
“ There was a dead silence. I glanced at the doctor; he rose and signalled to me to fill the goblet, which his daughter held from the flask. His eyes glanced fiercely under his white eyebrows, and I felt compelled to obey. Raising the flask and moving forward, I filled the gold goblet. The liquid was colourless, and limpid as water, but as I poured it out, I was conscious that the perfume in the air was growing more powerful and oppressive, every instant. I watched her raise the draught to her lips, and her eyes met mine for an instant. ”
“ We are the Persons, Sir, who lick them into Form, that mould them into Shape—The Poet make the Play indeed! The Colour-man might be as well said to make the Picture, or the Weaver the Coat: My Father and I, Sir, are a Couple of poetical Tailors; when a Play is brought us, we consider it as a Tailor does his Coat, we cut it, Sir, we cut it: And let me tell you, we have the exact Measure of the Town, we know how to fit their Taste. ”
Paul Cameron Brown, Sympathetic Magic
“ I've seen the parfumerie the snake pit, mongoose burrowing into the hills after serpentine fer-de-lance, want bigger things waves can't splash away, scrawled slogans to turn the human tide. A bottle sits menacingly on the table -- a universe on its own, imagine her little water droplets the key to unerstanding a woman firm to the grasp bare-shouldered, lips to the moon in twilight. ”
Dorothy Furniss, Drawing For Beginners (1920)
“ It has a shiny light, being of a shiny substance. Draw the dark shadow of the little eye with strong, dark touches, leaving the light untouched. There, you see, we have the fur of the coat, the velvet of the dress, and the button of an eye. Three different substances requiring different handling of the pencil. Dobbin, who has carried us so many miles round the nursery-floor that all his tail and most of his mane has sprinkled the highway of our fancy, Dobbin, after all is said and done, is a horse. He has four legs, a stout body, an arched neck, and a spirited eye and nostril. ”
Arthur Conan Doyle,
A Duet, with an Occasional Chorus
“ Then one eye is half opened, as if he were looking round to see if it were safe to open the other one, and then he gives a long, sorrowful wail as he realises that his bottle is not where he left it when he went to sleep. ”
Toru Dutt,
A Sheaf Gleaned in French Fields
(1880)
“ Crack the pure crystal to heaven's bow allied. A hailstone's mortal to the dove's frail frame. And far more delicate than trembling dove, Or crystal prized, or flower in beauty bowed, Is the poor gifted artist's heart of love. ”
Helen Churchill Candee,
The Tapestry Book
“ Wonderful weaver, magic hands, infinite pains, were those to produce such an effect on our sated modern vision, all with a few threads of silk and wool and gold.Then there is the human face—it takes an artist to describe the various faces with their beauty of modelling, their infinite variety of type, their subtlety of expression. You can almost see the flushing of the capillaries under the translucent skin, so fine are the mediums of silk and wool under the magic handling of the talented weavers in brilliant epochs. ”
“ The hand may wear rings, and to degraded senses look improved (we who look straight to nature, and find the finish of the Creator finish enough, doubt this—but let that pass) ; the neck may have its chains, the ears, the arms, and ankles, even the nose, rings, according to the fancy of the wearer or the taste of the nation. I do not like rings, or anything that divides the lines of symmetry, yet if one part be covered, gold may be worn with advantage on other portions; but I defy any cover or ornament yet invented by man to improve the foot which God has already so beautifully covered. ”
George Francis White, Views in India, chiefly among the Himalaya Mountains (1838)
“ The women wore silver and gold ornaments across the forehead, rich and fantastical, but not particularly becoming; and those who were wealthy enough, loaded themselves with a great variety of tasteless incumbrances—chains and bells of precious metals, a profusion of ear-rings, and silver fringes pendent over the eyes, while their bracelets, necklaces, amulets, nose rings, finger rings, and clasps of various kinds of coloured stones, were innumerable. ”
Fergus Hume,
The Lady from Nowhere: A Detective Story
“ Near the window, from a brass chafing-dish standing on a tripod of the same metal, curled up a thin white vapour diffusing a heavy rich perfume, and everywhere lay nicknacks of gold and silver more or less costly ”
“ Ay, in truth, the chainlet shall grow to a chain, O Dora. Nine times loosely wound shall it encircle thy neck. Further, jewels most manifold will I procure for thee; golden Bracelets also. My gifts richly shall deck thy hand. There shall the ruby contend with the emerald; loveliest sapphire{242} Matched against jacinth shall stand, while with a setting of gold Every gem may be held in a perfect union of beauty. O what joy for the lover to grace with jewel and gold the beloved. ”
Arthur Conan Doyle,
A Duet, with an Occasional Chorus
“ When finally he does get the bottle, he becomes at once the most contented being in the whole world, and sucks away with such great long pulls, and such dear little grunts in between. Then afterwards, a well-washed, well-fed atom, he is ready to look about him and observe things. ”
John Rudolph Glauber, The works of the highly experienced and famous chymist… (1689)
“ As for instance, I draw the Colour from Gold, and introduce the said Tincture into Silver, being a fix pure and white Body, in which this Metalline Spirit takes up its abode; and the pure body of Silver greedily attracts the Tincture, because she stands in need of it; neither indeed can the porous body of Silver, resist or keep out this piercing Spirit, but passeth through warming and tincturing her throughout, and filling her pores with Solar Tincture, communicates to her not only the colour and weight, but also the nature and property of Gold. ”
Herbert M. Vaughan, The Naples Riviera
“ Against the all-pervading shimmering light our own forms stand out distinct of an intense and velvety blackness, yet the blades of the oars that cleave the melted sapphire of the water, the tips of our fingers that dabble in the celestial liquid, appear as if coated with tiny globules of silver. ”
Henry Hunt Snelling, The History and Practice of the Art of Photography
“ A gentleman to whom it had been recommended, purchased a bottle, and after making one or two trials of it, wrote to his correspondent--"Send me two bottles of chloride of gold, for I want no more of the hyposulphite; it is good for nothing." ”
James Kendall Hosmer,
The Last Leaf
“ Gold sparkles, jewels emit light, the purple draping imprisons within its rich folds the radiance of the lustres. The light is reflected from shining silk. Threads of pearl are spread in rows upon brocades sewed with thread of silver. ”
William Lucas Collins, The Iliad (1871)
“ In the vintage scene, the art of the immortal workman is minutely described. The vines are wrought in gold, the props are of silver, the grape-bunches are of a purple black, and there is a trench round of some dark-hued metal, crowned by a palisade of bright tin. ”
Victoria Cross, A Girl of the Klondike
“ Gold! gold! The thought possessed them with a grip on their brains like the grip of fever on the body, and the word sounded pleasant as the sweetest music to their ears. Gold! The syllable went round and passed from mouth to mouth, till the very air seemed to be getting a yellow tint above the grey fumes of tobacco.Amongst the last batch of incomers was a slim young fellow of twenty odd years, and when he had worked his way with difficulty up to the crowded counter, he found himself near the girl's corner. ”
Authors at home: Personal and biographical sketches of well-known American writers (1902)
“ In days of professional decorators who throw together all the hues of the kaleidoscope, and none in a patch larger than your hand, and held upon these, brass, ebony, stamped leather, marquetry, enamels and bottle-glass, in a kind of chaotic pudding—in these days such an exceptional reserve as is here manifest seems little less than a matter of notable personal daring. ”
Eliza Ruhamah Scidmore,
Jinrikisha Days in Japan
(1891)
“ A ring of gaping admirers surrounds a master of the black art, who swallows a lighted pipe, drinks, whistles, produces the pipe for a puff or two, swallows it again, and complacently emits fanciful rings and wreaths of smoke. Hair-pins, rosaries, toys, and sweets are everywhere for sale. ”
Harriet A. Cheever, Lord Dolphin
“ For where, pray, would Lord Dolphin wear a breastpin, or how would he look with a string of coral beads about his neck, or a bracelet pinched about his tail? You needn't laugh so hard. I have seen Folks who hung too much jewelry about themselves and seemed to think it becoming. A few pieces of nice jewelry may be tasteful and ornamental, but when too much is worn, I have a fancy that it might make a coral mite or an oyster want to laugh. ”
F. W. Fairholt, Rambles of an archæologist among old books and in old places
“ If you find a dove, with a branch of olive in its mouth, engraved in pyrites, and mount it in a silver ring, and carry it with you, everybody will invite you to be his guest, and people will feast you much and frequently. The figure of a syren, sculptured in a jacinth, rendered the bearer invisible. A fair head, well combed, with a handsome face, engraved on a gem, gave to the bearer joy, reverence, and honour. Such were the qualities attached to ancient gems in the Middle Ages.”116-*Many plain stones were also believed to have magical virtues. ”
Elias Lönnrot,
The Kalevala — Rune XXXV
“ Silken hose with golden borders, Golden belts with silver buckles, Jewelry that dims the vision, Blunts the conscience of the virgin. Silver leads one to destruction, Gold entices from uprightness. ”
“ Even when enamels cover the various parts of jewels in a wondrous harmony of colour, the artists of the period contrived with extraordinary tact to leave small portions in gold: the hair of the figures, manes of horses, armour, weapons—glittering points that enhance the beauty of the whole. ”
Nikolai Gogol,
Taras Bulba
(1916)
“ Gold on his shoulder-straps, gold on his belt, gold everywhere, always gold: as when the sun shines in spring, and every bird begins to chirp, and sing in the orchards, so is he shining all over with gold. And his horse, which the Voevod himself gave him, is the very best: the horse alone is worth two hundred ducats. ”
Charles Dickens,
Dombey and Son
(1848)
“ The very diamonds—a marriage gift—that rose and fell impatiently upon her bosom, seemed to pant to break the chain that clasped them round her neck, and roll down on the floor where she might tread upon them. He felt his disadvantage, and he showed it. Solemn and strange among this wealth of colour and voluptuous glitter, strange and constrained towards its haughty mistress, whose repellent beauty it repeated, and presented all around him, as in so many fragments of a mirror, he was conscious of embarrassment and awkwardness. ”
M. E. Braddon,
Mount Royal: A Novel. Volume 2 of 3
“ I adore Dop and Mop, as I'm sure you know, and I only wish I were rich enough to back my opinion by marrying one of them—but I don't think our dear little Dopsy is the kind of girl to break her heart about any man—more especially a sentimental duffer with hollow cheeks and a hollow cough. ”
Stand Fast, Craig-Royston! (Volume II)
“ I wonder if a Brighton jeweller could make me a small white dove in ivory or mother-of-pearl, that you could wear just as if it had alighted on your breast—a pin, you know, for your neck—and the pin could be made of a row of rubies or sapphires—while the dove itself would be white. ”
R. L. Hobson, Chinese pottery and porcelain; vol… (1915)
“ The vessel’s perfect glaze is the god’s fat and blood; the body material is the god’s body and flesh; and the blue of the decoration, with the brilliant lustre of gems, is the essence of the god’s pure spirit. ”
Fyodor Dostoevsky,
White Nights and Other Stories
(1918)
“ You must excuse me, kind reader, I am still talking about the cap: made of tulle, light as a feather, a broad cherry-coloured ribbon covered with lace passing between the tulle and the ruche, and at the back two wide long ribbons they would fall down a little below the nape of the neck. . . . All that the cap needed was to be tilted a little to the back of the head; come, look at it; I ask you, after that . . . but I see you are not looking . . . you think it does not matter. You are looking in a different direction. ”
J. P. Jacobsen,
Marie Grubbe, a Lady of the Seventeenth Century
“ Would you dance in silks as thick as chamlet, would you have pearls in strings as long as your hair, you shall have them, and rings, and tissue of gold in whole webs, and plumes, and precious stones, whatever you will—nothing is too good to be worn by you. ”
Matilde Serao,
The Desire of Life
“ To note, analyse, and value these jewels and compare them with their own; at times to smile in triumph, or enviously, or really bitterly, according as their own jewels succeeded in being superior, equal, inferior, or very inferior to the others. Their eyes seemed not to rest on the pearl necklaces, on the rivières of diamonds, the diadems of pearls and diamonds, the emerald solitaires, and the ruby sprays. ”
Henry Duff Traill,
From Cairo to the Soudan Frontier
(1896)
“ The effect, as the sky gradually lightens again with the afterglow, and the lamps twinkle in silver through the flood of liquid gold that bathes land and water alike, is of an almost unearthly beauty. ”
Eric P. Kelly, The Trumpeter of Krakow (1928)
“ Well, it is commonly known that each substance in the world such as brass, or paper, or glass, has certain properties in itself. Did not Archimedes, father of all our learning, establish this truth by the proof that different substances thrown separately into water each displace a different amount of water? Gold is a substance, brass is a substance, both susceptible to change in the elementals, fire, water, air, and earth. ”
P. G. Wodehouse,
The Intrusion of Jimmy
(1910)
“ A jeweler can't say exactly how he gets on the track of fake stones. He can feel them. He can almost smell them. I worked with a jeweler once. That's how I got my knowledge of jewels. But, if you mean, can I prove what I say about this necklace, that's easy. There's no deception. It's simple. See here. These stones are supposed to be diamonds. ”
Helen Hunt Jackson,
Glimpses of Three Coasts
“ Georges in silver and crystal and cameo; gold jugs, gold beakers, bowls of green jade, with twisted snakes for handles and dragons' heads at bottom; goblets of solid crystal, of countless shapes and 354 sizes,—one in shape of a flying-fish borne by two dolphins; onyx and jasper and agate and porcelain, made into no end of shapes and uses;—these are a few of the things which "God provided" for this Danish king and queen. One of these rooms is hung with tapestries of lilac silk and gold moire, embroidered with gold and silver threads and colors. ”
John Maxwell Forbes, Doubloons—and the Girl
“ Its golden light tipped the waves with a sheen of glory and turned the spray into so much glittering diamond dust. Under its magic witchery, the ropes and rigging looked like lace work woven by fairy fingers. ”
George Percy Badger, The Nestorians and their Rituals (1852)
“ Who believes that clay can adorn pure gold, or that ashes can add beauty to the pearl? An unpleasant scent cannot add sweetness to the fragrance of exquisite odour, neither can a rotten rag ornament a costly garment. ”
Benvenuto Cellini, The treatises of Benvenuto Cellini on goldsmithing and sculpture (1898)
“ Now I’ll tell you of another fine way of working employed by other able men who ran him pretty close. After the model in wax has been made and you have decided what it is you want to create, you take a sheet of gold, as I explained above, thin at the sides and thick in the centre, and you little by little beat it from the back with your larger punches until it is bossed up much like your model; by this means you don’t need to use your bronze, [53] and you bring your work considerably forward before even in the other method the casting is done. ”
