Summary

Henry Hunt Snelling The History and Practice of the Art of Photography

If a pencil of the sun's rays fall upon a prism, it is bent in passing through the transparent medium; and some rays being more refracted than others, we procure an elongated image of the luminous beam, exhibiting three distinct colors, red, yellow and blue, which are to be regarded as primitives--and from their interblending, seven, as recorded by Newton, and shown in the accompanying wood cut. These rays being absorbed, or reflected differently by various bodies, give to nature the charm of color.
Source: Gutenberg

Henry Hunt Snelling The History and Practice of the Art of Photography

There are several things requisite in an artist to enable him to color a head, or even a landscape effectively, and correctly, and I must say that very few of these are possessed by our operators as a class. These requirements are, a talent for drawing--taste--due discrimination of effect--strict observance of the characteristic points in the features of the subject--quick perception of the beautiful, and a knowledge of the art of mixing colors, and blending tints.
Source: Gutenberg

Henry Hunt Snelling The History and Practice of the Art of Photography

Fox Talbot's beautiful calotype pictures, considers as an illusion "the hope to reconcile, not only the intensity but the tints of the chemical impressions produced by radiations, with the colors of the object from which these radiations emanated." It is true that three years have passed away, and we have not yet produced colored images; yet I am not inclined to consider the hope as entirely illusive.
It must be remembered that the color of bodies depends entirely upon the arrangement of their molecules. We have numerous very beautiful experiments in proof of this.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature