Gilbert Haven

Gilbert Haven

Summary

Portrait of Gilbert Haven Gilbert Haven Our Neighbor-Mexico (1875)

They come near, and disappear in approaching, either as will-o'-the-wisps or as camp-fires. Again is darkness; again the damp mesquite strikes the dizzy head; again the walls, high, and huge, and false, arise; again the fires flicker and go out. The coachman cries "Kutchah! Kutchah!" to his bedraggled mules, and tells me we are almost there. The hours drag on, and so does the coach. I think of the Light that shineth in a dark place, and wish for like illumination. But it comes not. No more does that come to the soul, wading through earth's midnight.
Source: Wikisource

Portrait of Gilbert Haven Gilbert Haven Our Neighbor-Mexico (1875)

It is a baby landscape, and all the more charming for its infantile littleness.
The sun goes down as we go up, and by the time the top is reached, the baby, in its cradle of lofty hills, has gone into shadow and approaching sleep. A light twinkles from a window far down there, like the smile of the eye before it closes in sleep, and the mountain valley of Orizaba, with its petite perfection of a termination, disappears from our view, perhaps forever; for the stagecoach gives way to the rail-coach, and leaves this grand defile on a side-track.
Source: Wikisource

Portrait of Gilbert Haven Gilbert Haven Our Neighbor-Mexico (1875)

Our fires and shots they do not see or hear. Two hours of fear at being deserted, of questionings as to what to do in such extremity, of yet greater fears that the big black waves rolling high about and beneath us will roll bigger and blacker above us, of tests of inward quality of courage and faith, in which the most believing do not always prove the most courageous, and we come up at last, with great rejoicing, to the huge ship, with its many lights and warm cheer, looking like the palace of home and heaven, riding upon the waters of death.
Source: Wikisource

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