Gilbert Keith Chesterton

Gilbert Keith Chesterton

Summary

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Apostle and the Wild Ducks… (1975)

Science itself is only the exaggeration and specialisation of this thirst for useless fact, which is the mark of the youth of man. But science has become strangely separated from the mere news and scandal of flowers and birds; men have ceased to see that a pterodactyl was as fresh and natural as a flower, that a flower is as monstrous as a pterodactyl. The rebuilding of this bridge between science and human nature is one of the greatest needs of mankind.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Apostle and the Wild Ducks… (1975)

Hence, degraded by art to its own level, they have lost altogether that primitive and typical taste of man, the taste for news. By this essential taste for news, I mean the pleasure in hearing the mere fact that a man has died at the age of one hundred and ten in South Wales, or that the horses ran away at a funeral in San Francisco. Large masses of the early faiths and politics of the world, numbers of the miracles and heroic anecdotes, are based primarily upon this love of something that has just happened, this divine institution of gossip.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Apostle and the Wild Ducks… (1975)

The educated classes, cloyed and demoralised with the mere indulgence of art and mood, can no longer understand the idle and splendid disinterestedness of the reader of Pearson's Weekly. He still keeps something of that feeling which should be the birthright of men, the feeling that this planet is like a new house into which we have just moved our baggage. Any detail of it has a value, and with a truly sportsmanlike instinct the average man takes most pleasure in the details which are most complicated, irrelevant, and at once difficult and useless to discover.
Source: Wikisource

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