Summary

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Superstition of Divorce — The Tragedies of Marriage (1920)

I have put first the question of what is marriage. And we are now in a position to ask more clearly what is divorce. It is not merely the negation or neglect of marriage; for any one can always neglect marriage. It is not the dissolution of the legal obligation of marriage, or even the legal obligation of monogamy; for the simple reason that no such obligation exists. Any man in modern London may have a hundred wives if he does not call them wives; or rather, if he does not go through certain more or less mystical ceremonies in order to assert that they are wives.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Superstition of Divorce — The Tragedies of Marriage (1920)

And of that emotional situation you can make nothing but a tragedy, whichever way you turn it. With or without marriage, with or without divorce, with or without any arrangements that anybody can suggest or imagine, it remains a tragedy. The only difference is that by the doctrine of marriage it remains both a noble and a fruitful tragedy; like that of a man who falls fighting for his country, or dies testifying to the truth.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Superstition of Divorce — The Tragedies of Marriage (1920)

The fashion of divorce would not be a modern fashion if it were not full of this touching fallacy. A great deal of it might be summed up as a most illogical and fanatical appetite for getting married in churches. It is as if a man should practice polygamy out of sheer greed for wedding cake. Or it is as if he provided his household with new shoes, entirely by having them thrown after the wedding carriage when he went off with a new wife. There are other ways of procuring cake or purchasing shoes; and there are other ways of setting up a human establishment.
Source: Wikisource

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