Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Now Don Giulio, although being old he does not study or do anything, but seek the salvation of his soul by good works, and a life spent wholly apart from mundane affairs, being in all respects an old man, and living as such, [8] does yet continue to work occasionally, amidst the repose and comfort by which he is surrounded in the Farnese Palace, where he most willingly and courteously shows his productions to those who visit him for the purpose of seeing the same, as they would any other of the wonders of Rome.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

But let him who has a mind to be utterly amazed, cast an eye on the Litanies, where the artist has minutely interwoven the letters which form the names of the Saints; and in the margin above is the Most Holy Trinity in Heaven, surrounded by innumerable Angels, together with whom are the Apostles and other Saints. Opposite to this is the Madonna, also in Heaven with the Holy Virgins; and in the margin beneath is the Procession in which Rome performs the Solemnity of the Corpus Christi.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

These works made Don Giulio known at Rome as an able artist, and Cardinal Alessandro Farnese, who has always assisted, favoured, and desired to have about him, distinguished and able men, having heard the fame and seen the works of this artist, took him into his service, and there he has remained ever since, even to his present advanced age.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature