Grant Allen

“ The Episode of the Man Who Would Not Commit Suicide
After my poor friend Le Geyt had murdered his wife, in a sudden access of uncontrollable anger, under the deepest provocation, the police naturally began to inquire for him. It is a way they have; the police are no respecters of persons; neither do they pry into the question of motives. They are but poor casuists. A murder is for them a murder, and a murderer a murderer; it is not their habit to divide and distinguish between case and case with Hilda Wade's analytical accuracy. ”

“ Who was I that I should stand between Hugo Le Geyt and the ways of Providence?
The Le Geyts loved ever the ordeal by water.
Presently, he turned again. Before he turned, I had taken the opportunity to look hastily at his clothes. Hilda Wade had surmised aright once more. The outer suit was a cheap affair from a big ready-made tailor's in St. Martin's Lane—turned out by the thousand; the underclothing, on the other hand, was new and unmarked, but fine in quality—bought, no doubt, at Bideford. An eerie sense of doom stole over me. I felt the end was near. ”

“ Hilda interrupted me with a quiet suggestion. "How do you know he has run away?" she asked. "Are you not taking it for granted that, if he meant suicide, he would blow his brains out in his own house? But surely that would not be the Le Geyt way. They are gentle-natured folk; they would never blow their brains out or cut their throats. For all we know, he may have made straight for Waterloo Bridge,"—she framed her lips to the unspoken words, unseen by Mrs. Mallet,—"like his uncle Alfred." ”

“ The brave way is to go through with it, and face the music, letting what will come; the cowardly way is to hide one's head incontinently in a river, a noose, or a convent cell."
"Le Geyt is not a coward," I interposed, with warmth.
"No, not, a coward—a manly spirited, great-hearted gentleman—but still, not quite of the bravest type. He lacks one element. The Le Geyts have physical courage—enough and to spare—but their moral courage fails them at a pinch. They rush into suicide or its equivalent at critical moments, out of pure boyish impulsiveness."
A few minutes later, Mrs. Mallet came in. ”

“ Awed by the great man's look, they brought in a submissive verdict of "Death by misadventure." The coroner thought it a most proper finding. Mrs. Mallet had made the most of the innate Le Geyt horror of blood. The newspapers charitably surmised that the unhappy husband, crazed by the instantaneous unexpectedness of his loss, had wandered away like a madman to the scenes of his childhood, and had there been drowned by accident while trying to cross a stormy sea to Lundy, under some wild impression that he would find his dead wife alive on the island. Nobody whispered murder. ”

“ But a mountaineer's instinct in similar circumstances is—what? Why, to fly straight to his native mountains. In an agony of terror, in an access of despair, when all else fails, he strikes a bee-line for the hills he loves; rationally or irrationally, he seems to think he can hide there. Hugo Le Geyt, with his frank boyish nature, his great Devonian frame, is sure to have done so. I know his mood. He has made for the West Country!"
"You are, right, Hilda," Mrs. Mallet exclaimed, with conviction. "I'm quite sure, from what I know of Hugo, that to go to the West would be his first impulse." ”

“ It was the last I saw of Le Geyt alive. Next morning the lifeless body of "the man who was wanted for the Campden Hill mystery" was cast up by the waves on the shore of Lundy. The Lord had decided.
Hugo had not miscalculated. "Luck in their suicides," Hilda Wade said; and, strange to say, the luck of the Le Geyts stood him in good stead still. By a miracle of fate, his children were not branded as a murderer's daughters. Sebastian gave evidence at the inquest on the wife's body: "Self-inflicted—a recoil—accidental— I am sure of it." ”

“ I answered, looking it straight in the face, "that . . . it has but one weak point. We might make a coroner's jury or even a common jury accept it, on Sebastian's expert evidence. Sebastian can work wonders; but we could never make——"
Hilda Wade finished the sentence for me as I paused: "Hugo Le Geyt consent to advance it."
I lowered my head. "You have said it," I answered.
"Not for the children's sake?" Mrs. Mallet cried, with clasped hands.
"Not for the children's sake, even," I answered. "Consider for a moment, Mrs. Mallet: IS it true? Do you yourself believe it?" ”

“ I said, "you are a psychologist."
"A psychologist," she assented; "I suppose so; and the police—well, the police are not; they are at best but bungling materialists. They require a clue. What need of a clue if you can interpret character?"
So certain was Hilda Wade of her conclusions, indeed, that Mrs. Mallet begged me next day to take my holiday at once—which I could easily do—and go down to the little bay in the Hartland district of which she had spoken, in search of Hugo. ”

“ Sebastian has ascertained, are watching the railway stations, and the ports for the Continent."
"Very like the police!" Hilda exclaimed, with more than a touch of contempt in her voice. "As if a clever man-of-the-world like Hugo Le Geyt would run away by rail, or start off to the Continent! Every Englishman is noticeable on the Continent. ”

“ I noted mentally the reservation implied in the word.
"Heredity counts," I answered. "Oh, yes. It counts much. But what about Le Geyt's family history?" I could not recall any instance of suicide among his forbears.
"Well—his mother's father was General Faskally, you know," she replied, after a pause, in her strange, oblique manner. "Mr. Le Geyt is General Faskally's eldest grandson." ”

“ And one of the Faskally girls, his cousin, of whom his wife was jealous—that beautiful Linda—became a Catholic, and went into a convent at once on Marcus's death; which, after all, in such cases, is merely a religious and moral way of committing suicide—I mean, for a woman who takes the veil just to cut herself off from the world, and who has no vocation, as I hear she had not. ”

“ Later in the evening, as we were walking home towards Nathaniel's together, I asked Hilda why she had spoken throughout with such unwavering confidence. "Oh, it was simple enough," she answered. "There were two things that helped me through, which I didn't like to mention in detail before Lina. One was this: the Le Geyts have all of them an instinctive horror of the sight of blood; therefore, they almost never commit suicide by shooting themselves or cutting their throats. Marcus, who shot himself in the gun-room, was an exception to both rules; he never minded blood ”

“ I apply the same method to the real life of the people around me. I try to throw myself into the person of others, and to feel how their character will compel them to act in each set of circumstances to which they may expose themselves. ”

“ An Englishman, he used to say, is least observed in his own country. In this case, I think I know where he has gone, how he went there."
"Where, then?"
"Where comes last; how first. It is a question of inference."
"Explain. We know your powers."
"Well, I take it for granted that he killed her—we must not mince matters—about twelve o'clock; for after that hour, the servants told Lina, there was quiet in the drawing-room. Next, I conjecture, he went upstairs to change his clothes: he could not go forth on the world in an evening suit ”

“ On the other hand, the police, you may be sure, will circulate his photograph—we must not shirk these points"—for Mrs. Mallet winced again—"will circulate his photograph, beard and all; and that will really be one of our great safeguards; for the bushy beard so masks the face that, without it, Hugo would be scarcely recognisable. I conclude, therefore, that he must have shorn himself before leaving home; though naturally I did not make the police a present of the hint by getting Lina to ask any questions in that direction of the housemaid." ”

“ That is the point I hinted at just now. He has defended many persons accused of murder, and he often spoke to me of their incredible folly, when trying to escape, in going by rail, or in setting out from England for Paris. ”

“ They put themselves behind and within their characters, and so make us feel that every act of their personages is not only natural but even—given the conditions— inevitable. We recognise that their story is the sole logical outcome of the interaction of their dramatis personæ. ”