Summary

Guillaume Durand The Symbolism of Churches and Church Ornaments

We enter a darkened church, illuminated only by the lighted 'Sepulchre': we hear the history of the Passion chaunted by three voices in three recitatives: we have the most mournfully pathetic strain for the 'Reproaches' which perhaps the human mind ever imagined:—we pray for Pagans—and we kneel; we pray for Turks—and we kneel; we pray for the Jews, and we kneel not; in abhorrence of the mockery that bowed the knee to the King of the Jews.
Source: Gutenberg

Guillaume Durand The Symbolism of Churches and Church Ornaments

There cannot be a more painful idea than that a separatist should be allowed to build a House of God, when he himself knows nothing of the ritual and worship of the Church from which he has strayed; to prepare both font and altar, when perchance he knows nothing of either Sacrament but that he has always despised them. Or, again, to think that any churchman should allow himself to build a conventicle, and even sometimes to prostitute the speaking architecture of the Church to the service of Her bitterest enemies! What idea can such a person have formed of the reality of church architecture?
Source: Gutenberg

Guillaume Durand The Symbolism of Churches and Church Ornaments

Shall God have denied this symbolism to the latter, while He has bestowed it on the former? Shall there be a trinity of effect in every picture, a trinity of tone in every note, a trinity of power in every mind, a trinity of essence in every substance,—and shall not there be a trinity in the arrangements and details of church art? It were strange if the servant could teach what the mistress must be silent upon: that Natural Religion should be endued with capabilities not granted to Revealed Truth.
Source: Gutenberg

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