Havelock Ellis

Havelock Ellis

Summary

Portrait of Havelock Ellis Havelock Ellis Love and Pain — Volume 3 (1913)

She longs to be the slave of a man whom she loves: "Lying in fancy before him, he puts one foot on my neck while I kiss the other. I revel in the idea of being whipped by him and imagine different scenes in which he beats me. I take the blows as so many tokens of love; he is at first extremely kind and tender, but then in the excess of his love he beats me. I fancy that to beat me for love's sake gives him the highest pleasure." Sometimes she imagines that she is his slave, but not his female slave, for every woman may be her husband's slave.
Source: Wikisource

Portrait of Havelock Ellis Havelock Ellis Love and Pain — Volume 3 (1913)

The whole problem of love and pain, in its complementary sadistic and masochistic aspects, is presented to us in connection with the pleasure sometimes experienced in whipping, or in being whipped, or in witnessing or thinking about scenes of whipping. The association of sexual emotion with bloodshed is so extreme a perversion, it so swiftly sinks to phases that are obviously cruel, repulsive, and monstrous in an extreme degree, that it is necessarily rare, and those who are afflicted by it are often more or less imbecile.
Source: Wikisource

Portrait of Havelock Ellis Havelock Ellis Love and Pain — Volume 3 (1913)

When we glance over the history of flagellation and realize that, though whipping as a punishment has been very widespread and common, there have been periods and lands showing no clear knowledge of any sexual association of whipping, it becomes clear that whipping is not necessarily an algolagnic manifestation. It seems evident that there must be special circumstances, and perhaps a congenital predisposition, to bring out definitely the relationship of flagellation to the sexual impulse.
Source: Wikisource

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