Henry David Thoreau

Henry David Thoreau

Summary

Portrait of Henry David Thoreau Henry David Thoreau The First and Last Journeys of Thoreau… (1905)

You hear the sound of woodchopping at the farmer's door—the baying of the housedog and the distant clarion of cocks. The frosty air seems to convey only, and with new distinctness, the finer particles of sound to our ears. It comes clear and round like a bell, as if there were fewer impediments than in the green atmosphere of summer, to make it faint and ragged. And beside, all Nature is tight drawn and sonorous like seasoned wood. Sounds now come to our ears from a greater distance in the horizon than in the summer.
Source: Wikisource

Portrait of Henry David Thoreau Henry David Thoreau The First and Last Journeys of Thoreau… (1905)

Its lisping, peeping note, so incessant and universal that it is hardly distinguished, more than the creak of the crickets, is one of Nature's ground-tones, and is associated with the rustling of the leaves and the swift lapse of time. The lark too sometimes sings again down in the meadow, as in the spring, and the robin peeps, and the bluebirds, old and young, revisit their boxes and hollow trees, as if they would fain repeat the summer without the intervention of winter.
Source: Wikisource

Portrait of Henry David Thoreau Henry David Thoreau The First and Last Journeys of Thoreau… (1905)

But after all, men do not wend asunder, their courses do not diverge; but as the web of destiny is woven it is fulled, and they are cast more and more into the centre. "Although friendship between good men is interrupted, still their principles remain unaltered. The stalk of the lotus may be broken, and the fibres remain connected." Persons are only the vessels which contain the nectar, and the hydrostatic paradox is the symbol of Love's law. Love finds its level and rises to its fountain-head in all breasts, and its slenderest column balances the ocean.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature