Summary

Portrait of Herbert Allen Giles Herbert Allen Giles The Civilization of China — Chapter VI…

Literature and art are indeed very closely associated in China. Every literary man is supposed to be more or less a painter, or a musician of sorts; failing personal skill, it would go without saying that he was a critic, or at the lowest a lover, of one or the other art, or of both. All Chinese men, women and children seem to love flowers; and the poetry which has gathered around the blossoms of plum and almond alone would form a not inconsiderable library of itself. Yet a European bouquet would appear to a man of culture as little short of a monstrosity
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Portrait of Herbert Allen Giles Herbert Allen Giles The Civilization of China — Chapter VI…

It is the imaginative picturing of what is most elemental and most august in Nature—liberating visions of storm or peace among abrupt peaks, plunging torrents, trembling reed-beds—and though having a fantastic side for its weakness, can never have the reproach of pretty tameness and mere fidelity which form too often the only ideal of Western landscape.
Source: Wikisource

Portrait of Herbert Allen Giles Herbert Allen Giles The Civilization of China — Chapter VI…

If we go back to the fifteenth century, we shall find that the standard of civilization, as the term is usually understood, was still much higher in China than in Europe; while Marco Polo, the famous Venetian traveller of the thirteenth century, who actually lived twenty-four years in China, and served as an official under Kublai Khan, has left it on record that the magnificence of Chinese cities, and the splendour of the Chinese court, outrivalled anything he had ever seen or heard of.
Source: Wikisource

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