Summary

Portrait of Hilaire Belloc Hilaire Belloc On Nothing & Kindred Subjects

There is in Nothing something so majestic and so high that it is a fascination and spell to regard it. Is it not that which Mankind, after the great effort of life, at last attains, and that which alone can satisfy Mankind's desire? Is it not that which is the end of so many generations of analysis, the final word of Philosophy, and the goal of the search for reality? Is it not the very matter of our modern creed in which the great spirits of our time repose, and is it not, as it were, the culmination of their intelligence?
Source: Gutenberg

Portrait of Hilaire Belloc Hilaire Belloc On Nothing & Kindred Subjects

Where the vision is but mirage, even there it is a symbol of our goal; where it stands fast and true, for however brief a moment, it can illumine, and should determine the whole of our lives. For such sights are the manifestation of that glory which lies permanent beyond the changing of the world. Of such a sort are the young passionate intentions to relieve the burden of mankind, first love, the mood created by certain strains of music, and—as I am willing to believe—the Walls of Heaven.
Source: Gutenberg

Portrait of Hilaire Belloc Hilaire Belloc On Nothing & Kindred Subjects

What is more English than the country railway station? I defy the eighteenth century to produce anything more English, more full of home and rest and the nature of the country, than my junction. Twenty-seven trains a day stop at it or start from it; it serves even the expresses. Smith's monopoly has a bookstall there; you can get cheap Kipling and Harmsworth to any extent, and yet it is a theme for English idylls. The one-eyed porter whom I have known from childhood; the station-master who ranges us all in ranks, beginning with the Duke and ending with a sad, frayed and literary man
Source: Gutenberg

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