Summary

Portrait of Honoré de Balzac Honoré de Balzac The Collection of Antiquities

But in Mlle. Armande the Christian overcame Victurnien’s aunt. “Ah, I was wrong; forgive me, Mme. la Duchesse; you did not know how poor we were, and my nephew was incapable of the admission. And besides, now that I see you, I can understand all—even the crime!”
And Mlle. Armande, withered and thin and white, but beautiful as those tall austere slender figures which German art alone can paint, had tears too in her eyes.
“Do not fear, dear angel,” the Duchess said at last; “he is safe.”
“Yes, but honor?—and his career? Chesnel told me; the King knows the truth.”
Source: Gutenberg

Portrait of Honoré de Balzac Honoré de Balzac The Collection of Antiquities (1839)

Diane de Maufrigneuse had said at once, at the sight of her beloved Victurnien's face.
"Why, dear Diane, I am in such a perplexity; a man gone to the bottom and at his last gasp is happy in comparison."
"Pshaw! it is nothing," said she; "you are a child. Let us see now; tell me about it."
"I am hopelessly in debt. I have come to the end of my tether."
"Is that all?" said she, smiling at him. "Money matters can always be arranged somehow or other; nothing is irretrievable except disasters in love."
Source: Wikisource

Portrait of Honoré de Balzac Honoré de Balzac The Collection of Antiquities (1839)

Armande to Victurnien, may love as much as a mother might; may be as careful, as kind, as tender, as indulgent, but she lacks the mother's instinctive knowledge when and how to be severe; she has no sudden warnings, none of the uneasy presentiments of the mother's heart; for a mother, bound to her child from the beginnings of life by all the fibres of her being, still is conscious of the communication, still vibrates with the shock of every trouble, and thrills with every joy in the child's life as if it were her own.
Source: Wikisource

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