Summary

Portrait of Honoré de Balzac Honoré de Balzac Scenes from a Courtesan's Life

You have never tired of loving her, have you? Well, I have never tired of detesting her. But have I not always behaved as though I were sincerely attached to the hussy—I, who, through Asie, hold her life in my hands? A few bad mushrooms in a stew—and there an end. But Mademoiselle Esther still lives!—and is happy!—And do you know why? Because you love her. Do not be a fool. For four years we have been waiting for a chance to turn up, for us or against us; well, it will take something more than mere cleverness to wash the cabbage luck has flung at us now.
Source: Gutenberg

Portrait of Honoré de Balzac Honoré de Balzac Scenes from a Courtesan's Life

All is speechless—the walls and men’s consciences. To these hapless creatures danger lies everywhere; excepting in the case of an alliance as ominous as the prison where it was formed, they dare not trust each other.
The police, all-pervading, poisons the atmosphere and taints everything, even the hand-grasp of two criminals who have been intimate. A convict who meets his most familiar comrade does not know that he may not have repented and have made a confession to save his life. This absence of confidence, this dread of the nark, marks the liberty, already so illusory, of the prison-yard.
Source: Gutenberg

Portrait of Honoré de Balzac Honoré de Balzac Scenes from a Courtesan's Life

In short, she loved Lucien wholly, and as women very rarely love a man. Women who say they love, who often think they love best, dance, waltz, and flirt with other men, dress for the world, and look for a harvest of concupiscent glances; but Esther, without any sacrifice, had achieved miracles of true love. She had loved Lucien for six years as actresses love and courtesans—women who, having rolled in mire and impurity, thirst for something noble, for the self-devotion of true love, and who practice exclusiveness—the only word for an idea so little known in real life.
Source: Gutenberg

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