Summary

Isabel Hapgood,  Count Tolstoi and the Public Censor (1887)

“ Another of Count Tolstoi's experiences puzzled him not a little. If he gave a beggar a few kopeks, when requested, without stopping to speak to him, the beggar looked grateful, and the Count was conscious of an agreeable sense of benevolence himself. But if he conversed with the man he felt obliged to give more, and the more he gave the more displeased the beggar appeared. The gift of ten rubles caused the beggar to look as though he had been insulted, and to walk off without saying so much as "Thank you," leaving Tolstoi feeling conscience-stricken and guilty. ”
Source: Wikisource

Isabel Hapgood,  Count Tolstoi and the Public Censor (1887)

“ The poet and author should for example, throw aside their poems and romances, and write songs, histories, and tales which the people can understand; and Tolstoi considers the so-called division of labor, which has formed in our days the indispensable condition of activity on the part of artists and scientists, to be the chief reason for the slow progress of mankind. Science, in the true meaning of the term, he says, has existed as long as man himself has existed, and consists in the knowledge of those things which it most imports men to know. ”
Source: Wikisource

Isabel Hapgood,  Count Tolstoi and the Public Censor (1887)

“ Count Tolstoi's hope is that if a number of his "caste" engage in a similar life, young people will be induced to follow their example. He argues that as it is now the fashion to do many things for one's self which no gentleman thought of doing when he was a boy, so it is a mere question of fashion when gentlemen will feed their own cows and hens, dig, plant potatoes, clean their boots, and wash their shirts; and he defines property as that which cannot be taken from a man, - in other words, his own person alone. ”
Source: Wikisource

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