Summary

Portrait of James Branch Cabell James Branch Cabell The Cream of the Jest: A comedy of evasions

Yet, as I look into my own wife’s face—no more the loveliest, but still the dearest of all earthly faces, I protest—and as I wonder how much she really knows about me or the universe at large, and have not the least notion—why, I elect to believe that, in the ultimate, Kennaston was not dissatisfied. For all of us the dream-haze merges into the glare of common day; the dea certé, whom that fled roseate light transfigured, stands confessed a simple loving woman, a creature of like flesh and limitations as our own: but who are we to mate with goddesses?
Source: Gutenberg

Portrait of James Branch Cabell James Branch Cabell The Cream of the Jest: A comedy of evasions

Living creatures represented life’s gropings toward that goal. You saw, no doubt, a dim perception of this in the dream which sustained all human beings—that to-morrow living would begin to be symmetrical, well-plotted and coherent, like the progress of a novel.... And that was precisely what religion promised, only in more explicit terms, and with the story’s milieu fixed in romantic, rather than realistic, settings. Kennaston had here the sensation of fitting in the last bit of a puzzle. Life, yearning for symmetry, stood revealed as artist. Life strove toward the creation of art.
Source: Gutenberg

Portrait of James Branch Cabell James Branch Cabell The Cream of the Jest: A comedy of evasions

It may be I shall not return alive into England; indeed, I grow an old man and feel infirmities of age stealing upon me. And so, farewell, my lass. Truly if I love you not too well, I err not on the other hand much. Thou hast been dearer to me than any other creature: let that suffice.” And with this leave-taking he was gone.
As the door closed upon Cromwell’s burly figure, “No, be very careful not to touch me,” Kennaston implored. “The dream must last till I have found out how through your aid, Ettarre, this bull-necked country squire has come to rule England.
Source: Gutenberg

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