Summary

Portrait of James George Frazer James George Frazer The Golden Bough: A Study in Magic and Religion…

The long Greek summer is practically rainless and in the fervent heat and unbroken drought all nature languishes. The river-beds are dry, the fields parched. The farmer awaits impatiently the setting-in of the autumnal rains, which begin in October and mark the great season for ploughing and sowing. What time could be fitter for celebrating the union of the Corn Goddess with her husband the Earth God or perhaps rather with her paramour the Sky God, who will soon descend in fertilising showers to quicken the seed in the furrows?
Source: Gutenberg

Portrait of James George Frazer James George Frazer The Golden Bough: A Study in Magic and Religion…

If the Old Wife represents the corn-spirit of the past year, as she probably does wherever she is contrasted with and opposed to a Maiden, it is natural enough that her faded charms should have less attractions for the husbandman than the buxom form of her daughter, who may be expected to become in her turn the mother of the golden grain when the revolving year has brought round another autumn.
Source: Gutenberg

Portrait of James George Frazer James George Frazer The Golden Bough: A Study in Magic and Religion…

The whole island of Java, she tells us, “is one vast rice-field. Rice on the swampy plains, rice on the rising ground, rice on the slopes, rice on the very summits of the hills. From the sod under one's feet to the verge of the horizon, everything has one and the same colour, the bluish-green of the young, or the gold of the ripened rice. The natives are all, without exception, tillers of the soil, who reckon their lives by seasons of planting and reaping, whose happiness or misery is synonymous with the abundance or the dearth of the precious grain.
Source: Gutenberg

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