Janie Prichard Duggan

Summary

Janie Prichard Duggan The little acrobat: a story of Italy (1919)

It was almost as bad as having to live in a solemn church when the candles are all out and the crowds are gone, and one feels, in the dimness and silence, as if something were coming up stealthily behind one to scare one’s wits away. It is all very well to rest for a minute in a cool church, out of the glare of the sunlight, when one may run out again at will, free as a wild bird or butterfly. But to have to stay, night and day, for a whole year in such a place! Natale shuddered, for this was just the way in which the awful quiet of the little stone house of the priest affected him.
Source: Gutenberg

Janie Prichard Duggan The little acrobat: a story of Italy (1919)

There was the empty street. Below ran the long, long white road. The night was coming down, and he was not afraid of the dark. Once out of sight, around one of the loops of the road, it would take but a moment to slip off the heavy shoes with their soles half an inch thick, and then on and on in the cool darkness he might run on light bare feet—“after the wagon.”
He thrilled with the thought as it flashed through his mind, but a flash of the same thought thrilled Sora Grazia at the same time, for just then she leaned forward and laying her hand on Natale’s arm, she drew him to her side.
Source: Gutenberg

Janie Prichard Duggan The little acrobat: a story of Italy (1919)

The fierce ogre asleep under the tree might rouse at any moment and find the pocketbook gone. Away, away, he must fly, on and on toward the Bagni di Lucca, even though evening was at hand, and a gray blanket of cloud threatened to hide the coming stars. So the little feet twinkled away through the dust, Natale’s heart now heavy with the dread of what was behind, now light with the joy of what might be ahead. As the warm dusk fell, it seemed safe to walk again, although every sound from behind made Natale’s heart seem to leap into his throat.
Source: Gutenberg

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