Summary

Portrait of Johann August Apel Johann August Apel Popular Tales and Romances of the Northern Nations (1823)

Kate, leave him at peace!—Beshrew me, but I had nearly done thee wrong, William, in my thoughts, now, my good lad, go to bed, and rest thyself. “Night,” says the proverb, “is no man’s friend.” But be of good cheer: the man that is in his vocation, and walks only in lawful paths, may bid defiance to the fiends of darkness, and all their works.”
William needed his utmost powers of dissimulation to disguise from the old man’s penetration how little his suspicions had done him injustice. This indulgent affection of father Bertram, and such unshaken confidence in his uprightness, wrung his heart.
Source: Wikisource

Portrait of Johann August Apel Johann August Apel Popular Tales and Romances of the Northern Nations (1823)

No, no, mistress Anne, it’s no use talking. It’s not altogether Robert that I care about. I don’t stand upon trifles: and, if the man is not to your taste or the girl’s, why look out any other active huntsman that may take my office betimes and give us a comfortable fire-side in our old age: Robert, or not Robert, so that it be a lad of the forest: I’ll never stand upon trifles: but for the clerk,—dost hear Anne?—this hero of a crow-quill, never hang about my neck or think to wheedle me again.
Source: Wikisource

Portrait of Johann August Apel Johann August Apel Popular Tales and Romances of the Northern Nations (1823)

A carriage and six drove up with outriders. “What the devil’s this that stops the way?” cried the man who rode the leaders, “Make way there, I say, clear the road.” William looked up, and saw sparks of fire darting from the horses’ hoofs, and a circle of flame about the carriage-wheels. By this he knew it to be a work of the fiend, and never stirred. “Push on, my lads, drive over him, helter skelter,” cried the same postillion, looking back to the others; and in a moment the whole equipage moved rapidly upon the circle.
Source: Wikisource

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