John G. Edgar, Footprints of Famous Men: Designed as Incitements to Intellectual Industry
“ Nature was, from first to last, his chief study, the safe school in which he learned his art, and the exhaustless fountain from which he drew the inspiration that carried him onward to lasting fame as a truly English and really great sculptor. He thought that an artist should daily ponder what to avoid, as well as what to imitate; and unlike his predecessors, who were perpetually striving to rival the productions of by-gone ages, he wisely aspired rather to guide the future than follow the past. He had imbibed in youth a fondness for landscape scenery, which he could represent with success ”
