Summary

John Munro,  A Trip to Venus — Chapter VIII. The Crater Land…

“ They seem artists in all, and above all. They hold that every beautiful thing has a use, and they never make a useful thing without beauty. Apart from portraits, their pictures and statuary are mostly historical, or else ideal representations. Many of these are typical of life; for example, a boy at play, a pair of lovers, a mother weaning her child, and the parting of friends. The ideal of art is to them not merely a show to please the eye for a while, but a model to be realised in their own lives ”
Source: Wikisource

John Munro,  A Trip to Venus — Chapter VIII. The Crater Land…

“ The sense of existence, apart from what they do or gain, is their chief happiness. Their "ealo," or the height of felicity, is a passive rather than an active state. It is (if I am not mistaken) a kind of serene rapture or tranquil ecstasy of the soul, which is born doubtless from a perfect harmony between the person and his environment. In it, they say, the illusion of the world is complete, and life is another name for music and love. ”
Source: Wikisource

John Munro,  A Trip to Venus — Chapter VIII. The Crater Land…

“ Their end in education is to produce noble men and women; that is to say, physical, moral, and intellectual beauty by assisting the natural growth. They hold it a sin to falsify or distort the mind, as well as the soul or body of a child. They seem to be as careful to cultivate the genius and temperament as the heart and conscience. Their object is to train and form the pupil according to the intention of Nature without forcing him beyond his strength, or into an artificial mould. ”
Source: Wikisource

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