John Ruskin

John Ruskin

Summary

Portrait of John Ruskin John Ruskin The Bible of Amiens (1884)

But I love too many cathedrals—though I have never had the happiness of becoming the custode of even one—to permit myself the easy and faithful exercise of the privilege in question; and I must vindicate my candour, and my judgment, in the outset, by confessing that the cathedral of Amiens has nothing to boast of in the way of towers,—that its central flèche is merely the pretty caprice of a village carpenter,—that the total structure is in dignity inferior to Chartres, in sublimity to Beauvais, in decorative splendour to Rheims, and in loveliness of figure-sculpture to Bourges.
Source: Wikisource

Portrait of John Ruskin John Ruskin The Bible of Amiens (1884)

For the outside of a French cathedral, except for its sculpture, is always to be thought of as the wrong side of the stuff, in which you find how the threads go that produce the inside or right-side pattern. And if you have no wonder in you for that choir and its encompassing circlet of light, when you look up into it from the cross-centre, you need not travel farther in search of cathedrals, for the waiting-room of any station is a better place for you;—but, if it amaze you and delight you at first, then, the more you know of it, the more it will amaze.
Source: Wikisource

Portrait of John Ruskin John Ruskin The Bible of Amiens (1884)

It stood where we now stand, companion mine, whoever you may be; and the monument where- with it has been honoured is this—chimney, whose gonfalon of smoke overshadows us—the latest effort of modern art in Amiens, the chimney of St. Acheul.
The first cathedral, you observe, of the French nation; more accurately, the first germ of cathedral for the French nation—who are not yet here; only this grave of a martyr is here, and this church of Our Lady of Martyrs, abiding on the hillside, till the Roman power pass away.
Source: Wikisource

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