Kabir

“ It is by the simplest metaphors, by constant appeals to needs, passions, relations which all men understand—the bridegroom and bride, the guru and disciple, the pilgrim, the farmer, the migrant bird— that he drives home his intense conviction of the reality of the soul's intercourse with the Transcendent. There are in his universe no fences between the "natural" and "supernatural" worlds; everything is a part of the creative Play of God, and therefore—even in its humblest details—capable of revealing the Player's mind. ”

“ Love is throughout his "absolute sole Lord": the unique source of the more abundant life which he enjoys, and the common factor which unites the finite and infinite worlds. All is soaked in love: that love which he described in almost Johannine language as the "Form of God." The whole of creation is the Play of the Eternal Lover; the living, changing, growing expression of Brahma's love and joy. As these twin passions preside over the generation of human life, so "beyond the mists of pleasure and pain" Kabîr finds them governing the creative acts of God. ”

“ Hence their constant declaration that they see the uncreated light, they hear the celestial melody, they taste the sweetness of the Lord, they know an ineffable fragrance, they feel the very contact of love. ”

“ In the effort to tell the truth about that ineffable apprehension, so vast and yet so near, which controls his life, he seizes and twines together—as he might have woven together contrasting threads upon his loom—symbols and ideas drawn from the most violent and conflicting philosophies and faiths. All are needed, if he is ever to suggest the character of that One whom the Upanishad called "the Sun-coloured Being who is beyond this Darkness": as all the colours of the spectrum are needed if we would demonstrate the simple richness of white light. ”

“ "The home is the abiding place; in the home is
reality; the home helps to attain Him Who is real. So stay
where you are, and all things shall come to you in time." ”

“ The negative philosophy which strips from the Divine Nature all Its attributes and defining Him only by that which He is not—reduces Him to an "Emptiness," is abhorrent to this most vital of poets.—Brahma, he says, "may never be found in abstractions." He is the One Love who Pervades the world., discerned in His fullness only by the eyes of love; and those who know Him thus share, though they may never tell, the joyous and ineffable secret of the universe. ”

“ Millions of beings are there: the sun and the moon in their
courses are there:
Millions of ages pass, and the swing goes on.
All swing! the sky and the earth and the air and the water; and
the Lord Himself taking form:
And the sight of this has made Kabîr a servant.
XVII II. 61. grah candra tapan jot varat hai
The light of the sun, the moon, and the stars shines bright:
The melody of love swells forth, and the rhythm of love's
detachment beats the time.
Day and night, the chorus of music fills the heavens; and Kabîr
says
"My Beloved One gleams like the lightning flash in the sky." ”

“ Now Kabîr, as we might expect in one whose reactions to the spiritual order were so wide and various, uses by turn all the symbols of sense. He tells us that he has "seen without sight" the effulgence of Brahma, tasted the divine nectar, felt the ecstatic contact of Reality, smelt the fragrance of the heavenly flowers. But he was essentially a poet and musician: rhythm and harmony were to him the garments of beauty and truth. ”

“ In the home is the true union, in the home is enjoyment
of life: why should I forsake my home and wander in the forest?
If Brahma helps me to realize truth, verily I will find both
bondage and deliverance in home.
He is dear to me indeed who has power to dive deep into Brahma;
whose mind loses itself with ease in His contemplation.
He is dear to me who knows Brahma, and can dwell on His supreme
truth in meditation; and who can play the melody of the
Infinite by uniting love and renunciation in life.
Kabîr says: "The home is the abiding place; in the home is
reality ”

“ Though the Eternal and Absolute is ever present to his consciousness, yet his concept of the Divine Nature is essentially dynamic. It is by the symbols of motion that he most often tries to convey it to us: as in his constant reference to dancing, or the strangely modern picture of that Eternal Swing of the Universe which is "held by the cords of love." ”

“ There the Unstruck Music eddies around the Infinite One;
There in the midst the Throne of the Unheld is shining, whereon
the great Being sits—
Millions of suns are shamed by the radiance of a single hair of
His body. ”

“ When I gave up the tying of ribbons, still I tied my garment
about me:
When I gave up tying my garment, still I covered my body in its
folds.
So, when I give up passion, I see that anger remains;
And when I renounce anger, greed is with me still;
And when greed is vanquished, pride and vainglory remain;
When the mind is detached and casts Maya away, still it clings to
the letter.
Kabîr says, "Listen to me, dear Sadhu! the true path is rarely
found." ”

“ The need felt by Kabîr for both these ways of describing Reality is a proof of the richness and balance of his spiritual experience; which neither cosmic nor anthropomorphic symbols, taken alone, could express. More absolute than the Absolute, more personal than the human mind, Brahma therefore exceeds whilst He includes all the concepts of philosophy, all the passionate intuitions of the heart. He is the Great Affirmation, the font of energy, the source of life and love, the unique satisfaction of desire. ”

“ He is the Ultimate Rest unbounded:
He has spread His form of love throughout all the world.
From that Ray which is Truth, streams of new forms are
perpetually springing: and He pervades those forms. ”

“ The Lord is in me, the Lord is in you, as life is in every seed. ”

“ II The poetry of mysticism might be defined on the one hand as a temperamental reaction to the vision of Reality: on the other, as a form of prophecy. As it is the special vocation of the mystical consciousness to mediate between two orders, going out in loving adoration towards God and coming home to tell the secrets of Eternity to other men; so the artistic self-expression of this consciousness has also a double character. It is love-poetry, but love-poetry which is often written with a missionary intention.
Kabîr's songs are of this kind: out-births at once of rapture and of charity. ”

“ It took in Râmânuja's preaching the form of an ardent personal devotion to the God Vishnu, as representing the personal aspect of the Divine Nature: that mystical "religion of love" which everywhere makes its appearance at a certain level of spiritual culture, and which creeds and philosophies are powerless to kill. ”

“ The one figure which he adopts from the Hindu Pantheon and constantly uses, is that of Krishna the Divine Flute Player. [Footnote: Nos. L, LIII, LXVIII.] He sees the supernal music, too, in its visual embodiment, as rhythmical movement: that mysterious dance of the universe before the face of Brahma, which is at once an act of worship and an expression of the infinite rapture of the Immanent God.'
Yet in this wide and rapturous vision of the universe Kabîr never loses touch with diurnal existence, never forgets the common life. His feet are firmly planted upon earth ”

“ I laugh when I hear that the fish in the water is thirsty:
You do not see that the Real is in your home, and you wander from
forest to forest listlessly! ”

“ His manifestation is love; His activity is joy. Creation springs from one glad act of affirmation: the Everlasting Yea, perpetually uttered within the depths of the Divine Nature. [Footnote: Nos. XVII, XXVI, LXXVI, LXXXII.] In accordance with this concept of the universe as a Love-Game which eternally goes forward, a progressive manifestation of Brahma—one of the many notions which he adopted from the common stock of Hindu religious ideas, and illuminated by his poetic genius—movement, rhythm, perpetual change, forms an integral part of Kabîr's vision of Reality. ”

“ It is a marked characteristic of mystical literature that the great contemplatives, in their effort to convey to us the nature of their communion with the supersensuous, are inevitably driven to employ some form of sensuous imagery: coarse and inaccurate as they know such imagery to be, even at the best. Our normal human consciousness is so completely committed to dependence on the senses, that the fruits of intuition itself are instinctively referred to them. In that intuition it seems to the mystics that all the dim cravings and partial apprehensions of sense find perfect fulfilment. ”

“ Open your eyes of love, and see Him who pervades this world I
consider it well, and know that this is your own country. ”

“ There love and detachment, bondage and freedom, joy and pain play by turns upon the soul; and it is from their conflict that the Unstruck Music of the Infinite proceeds. Kabîr says: "None but Brahma can evoke its melodies." ”

“ Do not go to the garden of flowers!
O Friend! go not there;
In your body is the garden of flowers.
Take your seat on the thousand petals of the lotus, and there
gaze on the Infinite Beauty. ”

“ For them, when they have achieved at last the true theopathetic state, all aspects of the universe possess equal authority as sacramental declarations of the Presence of God; and their fearless employment of homely and physical symbols—often startling and even revolting to the unaccustomed taste—is in direct proportion to the exaltation of their spiritual life. ”

“ Since all things, and especially the heart of man, are God-inhabited, God-possessed (XXVI, LVI, LXXVI, LXXXIX, XCVII) , He may best be found in the here-and-now: in the normal. human, bodily existence, the "mud" of material life (III, IV, VI, XXI, XXXIX, XL, XLIII, XLVIII, LXXII) . "We can reach the goal without crossing the road" (LXXVI) —not the cloister but the home is the proper theatre of man's efforts: and if he cannot find God there, he need not hope for success by going farther afield. "In the home is reality." ”

“ A hater of religious exclusivism, and seeking above all things to initiate men into the liberty of the children of God, his followers have honoured his memory by re-erecting in a new place the barriers which he laboured to cast down. ”

“ "As the river enters into the ocean, so my heart
touches Thee." ”