Summary

Portrait of Katai Tayama Katai Tayama Tayama Katai and His Novel Entitled Futon (1971)

Yoshiko might have been willing to become his wife. She would have been able to comfort him in the unbearable agonies of creative writing, helping his literary work and fulfill his ideals. Yoshiko might have been able to comfort his present desolate soul. Tokio recalled Yoshiko's words to his wife, "Why wasn't I born a little earlier? Had I been born in the same period as you, I would have been much happier..." Was it possible that fate would never allow him to call Yoshiko his wife? Would he never be able to call her father his father-in-law? Life is long, fate has strange powers.
Source: Wikisource

Portrait of Katai Tayama Katai Tayama Tayama Katai and His Novel Entitled Futon (1971)

Was not their conduct in Kyoto to satisfy their desires? Was not Tanaka's present behavior due to his longing to see her resulting in his following her to Tokyo? He might have clasped her hands and embraced her. What they did upstairs in an inn, under no supervision, was anyone's guess. Whether she was soiled or not was in doubt. While thinking of these things, Tokio became unable to control himself and cried out in his mind, "This whole affair is related to my responsibility as her teacher!" He thought that he could not let matters stand as they were.
Source: Wikisource

Portrait of Katai Tayama Katai Tayama Tayama Katai and His Novel Entitled Futon (1971)

Tokio went upstairs where everything had been left undisturbed since Yoshiko's departure. Overwhelmed with longing for his beloved woman, he tried to recollect his faintly lingering image of Yoshiko. It was one of the days when the cold wind blows briskly from the Musashi plains. He could hear a tremendous noise like roaring waves from the branches of the old trees. When Tokio opened a shutter of an east window as Yoshiko did on the day she departed for her home, light streamed into the room.
Source: Wikisource

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