Louis Bromfield

Louis Bromfield

Summary

Portrait of Louis Bromfield Louis Bromfield The green bay tree (1924)

Out of the evil, dancing shadows a man blackened by smoke leapt suddenly at them. “Look out!” he cried, and thrust them against the wall of a neighboring shed so roughly that Irene fell forward upon her knees. A great bundle of steel plates—tons of them—swung viciously out of the darkness, so close to the little party that the warmth of the metal touched their faces. It vanished instantly, drawn high into the air by some invisible hand. It was as if the monster had rebelled suddenly against its master, as if it sought to destroy Willie Harrison as it had destroyed the Italian named Rizzo.
Source: Gutenberg

Portrait of Louis Bromfield Louis Bromfield The green bay tree (1924)

From the divan Lily watched her through half-closed eyes. She played first of all two études of Chopin and then a waltz or two of Brahms, superbly and with a fine freedom and spectacular fire, as if she realized that at last she had the audience she desired, a better audience than she would ever have again no matter how celebrated she might become. Above the throbbing of the Mills the thread of music rose triumphant in a sort of eternal beauty, now delicate, restrained, now rising in a tremendous, passionate crescendo.
Source: Gutenberg

Portrait of Louis Bromfield Louis Bromfield The green bay tree (1924)

Willie Harrison was waiting for them at the window of the superintendent’s office just inside the gate. They saw him standing there as the victoria turned across the cinders in through the red-painted entrance. He stood peering out of the window in a near-sighted way, his shoulders slightly stooped, his small hands fumbling as usual the ruby clasp of his watch chain. At the sight of him Lily frowned and bit her fine red lip as though she felt that a man so rich, a man so powerful, a man who owned all these furnaces and steel sheds should have an air more conquering and impressive.
Source: Gutenberg

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