Louis Bromfield

Louis Bromfield

Summary

Portrait of Louis Bromfield Louis Bromfield Early Autumn (1926)

Sabine sat there, with a face like stone, following with her eyes the cloud of dust that moved along the lane as Aunt Cassie progressed on her morning round of visits, a symbol in a way of all the forces that had warped her own existence.
“It’s possible,” murmured Olivia.
Sabine turned toward her with a quick, sudden movement. “That’s why she is always so concerned with the lives of other people. She has never had any life of her own, never. She’s always been afraid. It’s why she loves the calamities of other people, because she’s never had any of her own.
Source: Gutenberg

Portrait of Louis Bromfield Louis Bromfield Early Autumn (1926)

It was as if the ghost of the queer, unhappy, red-haired little girl of her childhood had come suddenly to stand there beside them where the ghost of Horace Pentland had stood a little while before. The old ghosts were crowding about once more, even there on the terrace in the hot August sunlight in the beauty of Olivia’s flowery garden.
“She sent me into the world,” continued Sabine’s hard voice, “knowing nothing but what was false, believing—the little I believed in anything—in false gods, thinking that marriage was no more than a business contract between two young people with fortunes.
Source: Gutenberg

Portrait of Louis Bromfield Louis Bromfield Early Autumn (1926)

He was, one would have said at first sight, a common, vulgar man in that narrow-jawed world about Durham, a man, perhaps, who had come by his muscles as a dock-laborer. Sabine had thought him vulgar in the beginning, only to succumb in the end to a crude sort of power which placed him above the realm of such distinctions. And she was a shrewd woman, too, devoted passionately to the business of getting at the essence of people; she knew that vulgarity had nothing to do with a man who had eyes so shrewd and full of mockery.
Source: Gutenberg

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