Molly Elliot Seawell

Molly Elliot Seawell

Summary

Portrait of Molly Elliot Seawell Molly Elliot Seawell The Berkeleys and their neighbors (1888)

Colonel Berkeley had no knowledge of her whatever, Pembroke had given his arm to Olivia, and they moved off into a quiet corner, where the spreading leaves of a great palm made a little solitude in the midst of the crowd, and the lights and the crash of music and the beating of the dancers’ feet in the distance. Pembroke was alternately pale and red. Madame Volkonsky was nothing to him now, but he hated Volkonsky with the reprehensible but eminently human hatred that one man sometimes feels for another. Volkonsky was a scoundrel and an imposter.
Source: Gutenberg

Portrait of Molly Elliot Seawell Molly Elliot Seawell The Berkeleys and their neighbors (1888)

After the luncheon Pembroke took them to the library, and through such of the house as was habitable. Madame Koller raved over the fine editions of books, the old mahogany furniture, the antique portraits intermingled with daubs of later ancestors—the whole an epitome of the careless pleasure-loving, disjointed life of the dead and gone Virginia—when the people stocked their cellars with the best wines and slept on husk mattresses—where the most elaborate etiquette was maintained in the midst of incongruities of living most startling.
Source: Gutenberg

Portrait of Molly Elliot Seawell Molly Elliot Seawell The Berkeleys and their neighbors (1888)

Although the day was spring-like, Madame Koller’s gown was trimmed with fur, and she cowered close to the fire in the big, draughty drawing-room. Pembroke fancied that Madame Schmidt’s fondness for wrappings would eventually descend to her daughter. But Madame Koller was very handsome. The quiet winter, the country air had made her much younger and fresher. And then, most women are much better looking when they are in love. They live in a perpetual agitation, which gives a strange brightness to the eye, a softness to the smile. They are impelled toward their natural rôle, which is acting.
Source: Gutenberg

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