Louis Golding

Summary

Louis Golding,  Forward from Babylon

“ All life was a fight, was a movement forward, away from the darkness into the places of light. He had forsworn himself. He had fallen back into Babylon. The dark was closing round him and the pitchy waters were gurgling in his throat.
There was a whisper beside him.
"Philip, Philip, it's Channah!"
Who was Channah? A girl, a sister. She had a rolled gold brooch with two holes where diamonds should have been. One of her boots was very worn at the heel.
"Go away, go away! I don't want you!"
"Philip, poor old kid, I'm so sorry! Mother's crying her heart out! Listen, Philip!
”
Source: Gutenberg

Louis Golding,  Forward from Babylon

“ To Philip, the Milky Way was a divine bluebell bank dancing by the borders of a celestial river. The stars fed him with innumerable new images, giving to his conception of poetry a depth and height. And here once more, as if to consummate the significance Shelley had involved through each succeeding phase of Philip's adolescence, just as he had been found to crystallize a world in which complete escape from Doomington mud and brick might be realized; to hold the stormy banner of Socialism; to smite down the hydra-heads of religion ”
Source: Gutenberg

Louis Golding,  Forward from Babylon

“ Massel sat on the sofa bewildered by this spate of melody, but keenly happy in the enthusiasm of her son. If she ever ventured a "Philip, but not one word do I understand!" "Ah! what does that matter?" Philip replied. "Do you remember when I asked tatte what good I would do to God by saying a lot of prayers I can't understand a bit about—you remember, he was in a good temper?—he answered that it didn't matter if you can't understand; it's so holy to say things in Hebrew that God likes it just the same. Well, there you are, it's just poetry! It's like singing, only much finer!" ”
Source: Gutenberg

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