Summary

Portrait of Ludwig Feuerbach Ludwig Feuerbach The Essence of Christianity — Chapter I… (1841)

Who has not experienced the overwhelming power of melody? And what else is the power of melody but the power of feeling? Music is the language of feeling; melody is audible feeling—feeling communicating itself. Who has not experienced the power of love, or at least heard of it? Which is the stronger—love or the individual man? Is it man that possesses love, or is it not much rather love that possesses man? When love impels a man to suffer death even joyfully for the beloved one, is this death-conquering power his own individual power, or is it not rather the power of love?
Source: Wikisource

Portrait of Ludwig Feuerbach Ludwig Feuerbach The Essence of Christianity — Chapter I… (1841)

A being's understanding is its sphere of vision. As far as thou seest, so far extends thy nature; and conversely. The eye of the brute reaches no farther than its needs, and its nature no farther than its needs. And so far as thy nature reaches, so far reaches thy unlimited self-consciousness, so far art thou God. The discrepancy between the understanding and the nature, between the power of conception and the power of production in the human consciousness, on the one hand is merely of individual significance and has not a universal application
Source: Wikisource

Portrait of Ludwig Feuerbach Ludwig Feuerbach The Essence of Christianity — Chapter I… (1841)

Feeling speaks only to feeling; feeling is comprehensible only by feeling, that is, by itself—for this reason, that the object of feeling is nothing else than feeling. Music is a monologue of emotion. But the dialogue of philosophy also is in truth only a monologue of the intellect; thought speaks only to thought. The splendours of the crystal charm the sense; but the intellect is interested only in the laws of crystallization. The intellectual only is the object of the intellect.
Source: Wikisource

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