Ludwig Tieck

Ludwig Tieck

Summary

Portrait of Ludwig Tieck Ludwig Tieck The Pictures — SECTION I (1822)

Now really, cried Edward aloud, if this is a picture of Rubens, as it must be, that glorious man surpassed all other masters in such subjects! That lives! That breathes! How the fresh rose blooms against the still fresher lips! How softly and delicately do the hues of both play into one another, and yet so distinctly parted! And that polish of the rounded shoulder, the flaxen hair scattered over it in disorder! How is it possible that old Walther can hang his best piece so high up and without a frame, when all the other trash glitters in the most costly decorations?
Source: Wikisource

Portrait of Ludwig Tieck Ludwig Tieck The Pictures — SECTION I (1822)

For them art is the only window through which they catch a glimpse of nature and the world; they have no means of knowing either except as far as they compare them with their copies. And yet so it was that my father too dreamt his years away; whatever was foreign to his collection gave him no more concern than if it had fallen out at the pole. Strange how enthusiasm of every kind tends to confine our existence and all our feelings!
At the moment he raised his eye, and was almost dazzled or startled by a picture that hung in the upper region of the lofty saloon without the ornament of a frame.
Source: Wikisource

Portrait of Ludwig Tieck Ludwig Tieck The Pictures — SECTION I (1822)

Edward in the meanwhile had with trembling hands wrapped his picture in its cover again; he gnashed his teeth, stamped, and cried:
— The devil must play me this trick!
So saying he rushed out, and did not observe that the maiden was looking down again from above into the saloon, to which she had been drawn by the vociferation of the quarrellers.
— My worthy sir, said the old man, now addressing the stranger, you have distressed me; you have been loo hasty with the young man; he is heedless and extravagant, but I have never yet heard of his playing a foul trick.
Source: Wikisource

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