Summary

Portrait of Victor Hugo Victor Hugo,  Les Misérables — Volume 2, Book Third…

“ Cosette was going away. With whom? She did not know. Whither? She knew not. All that she understood was that she was leaving the Thenardier tavern behind her. No one had thought of bidding her farewell, nor had she thought of taking leave of any one. She was leaving that hated and hating house.
Poor, gentle creature, whose heart had been repressed up to that hour!
Cosette walked along gravely, with her large eyes wide open, and gazing at the sky. She had put her louis in the pocket of her new apron. From time to time, she bent down and glanced at it; then she looked at the good man.
”
Source: Wikisource

Portrait of Victor Hugo Victor Hugo,  Les Misérables — Volume 2, Book Third…

“ Even before the stranger had so clearly manifested his interest in Cosette, Thenardier had divined his purpose. He had caught the old man's deep glances returning constantly to the child. Who was this man? Why this interest? Why this hideous costume, when he had so much money in his purse? Questions which he put to himself without being able to solve them, and which irritated him. He had pondered it all night long. He could not be Cosette's father. Was he her grandfather? Then why not make himself known at once? When one has a right, one asserts it. ”
Source: Wikisource

Portrait of Victor Hugo Victor Hugo,  Les Misérables — Volume 2, Book Third…

“ As soon as they were alone, Thenardier offered the traveller a chair. The traveller seated himself; Thenardier remained standing, and his face assumed a singular expression of good-fellowship and simplicity.
"Sir," said he, "what I have to say to you is this, that I adore that child."
The stranger gazed intently at him.
"What child?"
Thenardier continued:--
"How strange it is, one grows attached. What money is that? Take back your hundred-sou piece. I adore the child."
"Whom do you mean?" demanded the stranger.
"Eh! our little Cosette! Are you not intending to take her away from us?
”
Source: Wikisource

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