Summary

Portrait of M. E. Braddon M. E. Braddon The Infidel: A Story of the Great Revival

If there be that other world Mr. Wesley believes in, I may see him again, may be with him in eternity. That, sir, is indeed a great perhaps. I will not hazard such a chance of everlasting bliss."
"'Tis the pagan's heaven you picture, not the Christian's—the resumption of human ties, not union with Christ. Oh, can you be so cruel as to make my life miserable, to deny the lover who adores you, for the sake of the dead man who lies in the quiet sleep that has no knowledge of you and me—must lie there unknowing, uncaring, till the Day of Judgment?"
Source: Gutenberg

Portrait of M. E. Braddon M. E. Braddon The Infidel: A Story of the Great Revival

Antonia started up from the bench, pale with indignation.
"Lucy, I am ashamed of you," said George. "Go indoors and play with your baby. You do not know how to converse with a lady. I beg you to forgive her, madam, and to think of her as a pettish child, who will learn better behaviour in time."
"I can forgive much, but not to hear it said that Kilrush had any other motive than his love for me when he made me his wife. I loved him, sir—loved him too dearly to suffer that falsehood for an instant. No, Mrs. Stobart, don't go," as Lucy began to creep away, ashamed of her misconduct.
Source: Gutenberg

Portrait of M. E. Braddon M. E. Braddon The Infidel: A Story of the Great Revival

Stobart had come there charged with a mission, a self-imposed duty, which had been in his mind—paramount over all other considerations—ever since that night at Ranelagh, when he had seen Antonia and Lord Dunkeld together. Again and again he went over the same chain of reasoning, with always the same result. He saw her in the flower of youth, beautiful and impulsive, with a wild courage that scorned consequences, ready to break the law if her heart prompted; and he told himself that for such a woman marriage with a good man was the only safeguard from the innumerable perils of a woman's life.
Source: Gutenberg

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