Summary

Margaret Mead Coming of age in Samoa

If it is moonlight, groups of young men, women by twos and threes, wander through the village, and crowds of children hunt for land crabs or chase each other among the breadfruit trees. Half the village may go fishing by torchlight and the curving reef will gleam with wavering lights and echo with shouts of triumph or disappointment, teasing words or smothered cries of outraged modesty. Or a group of youths may dance for the pleasure of some visiting maiden. Many of those who have retired to sleep, drawn by the merry music, will wrap their sheets about them and set out to find the dancing.
Source: Gutenberg

Margaret Mead Coming of age in Samoa

Lowering a few blinds against the slanting sun, all who are left in the village wrap their heads in sheets and go to sleep. Only a few adventurous children may slip away for a swim in the shadow of a high rock, some industrious woman continues with her weaving, or a close little group of women bend anxiously over a woman in labour. The village is dazzling and dead; any sound seems oddly loud and out of place. Words have to cut through the solid heat slowly.
Source: Gutenberg

Margaret Mead Coming of age in Samoa

Uneasy in the night, populous with ghosts, they shout lustily to one another as they hasten with their work. As the dawn begins to fall among the soft brown roofs and the slender palm trees stand out against a colourless, gleaming sea, lovers slip home from trysts beneath the palm trees or in the shadow of beached canoes, that the light may find each sleeper in his appointed place. Cocks crow, negligently, and a shrill-voiced bird cries from the breadfruit trees. The insistent roar of the reef seems muted to an undertone for the sounds of a waking village.
Source: Gutenberg

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