Summary

Marianne Ostier Jewels and the woman: The romance… (1958)

We hear life murmur, and see it glisten.
What symbol of glistening life could be more significant than the lustrous pearl? It is one of the gems that delights in more than the beholding, for the feel of the soft fine smoothness of the gem is like the petal of a pansy.
While the pearl does not have the brilliance and fire of a well-cut precious stone, it has a soft glow unique among gems, and an amazing variety of glints and shadings around its basic hue, from the purest white to the darkest black. Most desired of its dark shades is the “mordoré,” a greenish coppery iridescence over black.
Source: Gutenberg

Marianne Ostier Jewels and the woman: The romance… (1958)

The bright sun of summer, that bells the fruit and spreads the foliage, is best for zircon, garnet, ruby, and fire opal. Spinel, chrysoberyl, and pink topaz still hold their charm. As the languors of summer tang toward the crispness of autumn, it grows time for sapphire, hyacinth, oriental chrysolite, tourmaline, jacinth, and topaz. Then with the challenge of winter come turquoise, white sapphire, rock crystal, quartz, moonstone, pearl, and the gleaming diamond. Of course, the brilliant solitaire, the diamond of the engagement ring, is an appropriate stone in any season.
Source: Gutenberg

Marianne Ostier Jewels and the woman: The romance… (1958)

There is in this gem, though it is not always the most costly of precious stones, the strongest appeal to a woman, and she is fortunate indeed whose claim to the diamond is a birthright.
A diamond in a jewel adorning another beauty sets unrest in a woman’s heart, until she too is asparkle. The diamond is a sign of love; it confers loveliness, or at least it imposes pride. It is the ambition of every woman—and it should be the fortune of everyone Aprilborn—to possess a flawless diamond.
Source: Gutenberg

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