Summary

Charles Edwards The history and poetry of finger-rings

It is made the symbol of power; and has been a mark of slavery. Love has placed it where a vein was supposed to vibrate in the heart. Affection and friendship have wrought it into a remembrance; and it has passed into the grave upon the finger of the beloved one.
And, though the ring itself may be stranger to us, and might never have belonged to ancestor, friend or companion, yet there can be even a general interest about such a slight article. For instance, a few years ago a ring was found which had belonged to Shakspeare, and must have been a gift: for the true-lover’s knot is there.
Source: Gutenberg

Charles Edwards The history and poetry of finger-rings

And as our minds enter, from the outward heat, into the cold chamber of the Pyramids, we observe Champollion, Wilkinson, Vyse and Lepsius unrolling ages with the unwinding of papyrus and illuminated bandage.
Let us, however, attempt to sink these mighty mountains of man’s labor below the desert—upon which they now heavily press as though they were sealing the earth—and bring up, amid the vast desert and in their place, a single figure, bearing a signet-ring upon its finger. It is Suphis or Cheops, King of Memphis, who caused the Great Pyramid to be made for his monument.
Source: Gutenberg

Charles Edwards The history and poetry of finger-rings

Amen.’ After which he put it upon the fourth finger of the king’s right hand, and said: ‘Receive this ring of kingly dignity, and by it the seal of Catholic Faith, that as this day thou art adorned the head and prince of this kingdom and people, so thou mayest persevere as the author and establisher of Christianity and the Christian faith; that being rich in faith and happy in works, thou mayest reign with Him that is King of kings; to whom be honor and glory for ever and ever.
Source: Gutenberg

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