Summary

Portrait of Marion Harland Marion Harland Marion Harland's Complete Etiquette

It is the most civilized of entertainments, and to say of a town that it is a dinner-giving town means that it has arrived socially. This flower of hospitality blooms slowly. In many western places where the reception, the afternoon tea, the theater party and the ladies’ luncheon flourish like a green bay tree, the dinner is an unknown function. A young hostess is often afraid of attempting it, as is also the unaccustomed diner-out. Yet it is not a formidable entertainment, rightly considered, and when happily managed the return it brings far outweighs the outlay of time and trouble.
Source: Gutenberg

Portrait of Marion Harland Marion Harland Marion Harland's Complete Etiquette

We have, happily, passed the Lydia Languish age, the day in which the young girl was a fragile creature, given to fainting and hysterics, clothed in innocence that was ignorance, good because she was afraid to be naughty, or because she was so hedged in by conventionalities that she did not have the opportunity to stray near the outer edge of the pasture bars. In her place we have a healthy, fearless, clear-eyed young person, looking life and its possibilities square in the face, good because she knows from observation or hearsay what evil is, and abhors it because it is evil.
Source: Gutenberg

Portrait of Marion Harland Marion Harland Marion Harland's Complete Etiquette

The man who would view with an amiable smirk the spilling of a glass of Burgundy over his white waistcoat at a dinner, will often exhibit babyish rage at the breaking of a favorite golf-club or the stupidity of a caddie. The girl whose self-control permits her to smile and murmur: “It’s really of no consequence!” when a dance-partner’s foot tears three yards of lace off her train, will seldom show the same calm good-humor when her opponent at tennis serves balls that are too swift and too hard-driven for her to return.
Source: Gutenberg

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