Summary

Portrait of Mark Twain Mark Twain The Innocents Abroad — Volume 04

After browsing among the stately ruins of Rome, of Baiae, of Pompeii, and after glancing down the long marble ranks of battered and nameless imperial heads that stretch down the corridors of the Vatican, one thing strikes me with a force it never had before: the unsubstantial, unlasting character of fame. Men lived long lives, in the olden time, and struggled feverishly through them, toiling like slaves, in oratory, in generalship, or in literature, and then laid them down and died, happy in the possession of an enduring history and a deathless name.
Source: Gutenberg

Portrait of Mark Twain Mark Twain The Innocents Abroad — Volume 04

What cared we for outward visions, when Agamemnon, Achilles, and a thousand other heroes of the great Past were marching in ghostly procession through our fancies? What were sunsets to us, who were about to live and breathe and walk in actual Athens; yea, and go far down into the dead centuries and bid in person for the slaves, Diogenes and Plato, in the public market-place, or gossip with the neighbors about the siege of Troy or the splendid deeds of Marathon? We scorned to consider sunsets.
We arrived, and entered the ancient harbor of the Piraeus at last.
Source: Gutenberg

Portrait of Mark Twain Mark Twain The Innocents Abroad — Volume 04

The place is crowded with people all the time, and as the gay-colored Eastern fabrics are lavishly displayed before every shop, the great Bazaar of Stamboul is one of the sights that are worth seeing. It is full of life, and stir, and business, dirt, beggars, asses, yelling peddlers, porters, dervishes, high-born Turkish female shoppers, Greeks, and weird-looking and weirdly dressed Mohammedans from the mountains and the far provinces—and the only solitary thing one does not smell when he is in the Great Bazaar, is something which smells good.
Source: Gutenberg

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