Summary

Mary F. Sandars Honore de Balzac, His Life and Writings (1904)

To the ordinary observer, Boulanger's portrait represents Balzac as the thinker, worker, and fighter, stern and strenuous; not the delightful comrade who inspired joy and merriment, and the recollection of whom made Heine smile on his death-bed. The wonderful eyes which had not their equal, and which asked questions like a doctor or a priest, are brilliantly portrayed. Balzac himself allows this, though he complains to Madame Hanska that they have more of the psychological expression of the worker than of the loving soul of the individual—a fact for which we may be grateful to Boulanger.
Source: Wikisource

Mary F. Sandars Honore de Balzac, His Life and Writings (1904)

Reflect on the fact, my dear Laure, that not one of us can be said to have arrived at our goal, and that if, instead of being obliged to work in order to live, I were to become the husband of a most intellectual, well born and highly connected woman, with a solid though small fortune—in spite of this woman's desire to remain in her own country and to make no new relations, even family ones—I should be in a much more favourable position to be useful to you all. I know that Madame Hanska would show kindness to and feel keen interest in your dear little ones.
Source: Wikisource

Mary F. Sandars Honore de Balzac, His Life and Writings (1904)

The man with the passionate nature, who cried in his youth for the satisfaction of his two immense desires—to be celebrated and to be loved—soon found the emptiness of the life of fame alone; and Madame Hanska, dowered with all that he longed for, came into his life at the psychological moment when he had broken with the old love, born into the world too soon, and had suffered bitterly at the cruel hands of the new.
Source: Wikisource

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