Summary

Maud Wilder Goodwin The Colonial Cavalier; or, Southern Life before the Revolution

These closing words may well form the epitaph written over the Colonial Cavalier. He is gone from hence unto a higher court—gone from this world forever. His open-handed hospitality, his reckless profusion, his chivalry to women, his quick-tempered, sword-thrusting honor, are as obsolete as his lace ruffles, his doublet and jerkin, his buckles and jewels and feathers. We are fallen on a prosaic age, and it is only in our dreams of the past that we conjure up, like a gay decoration against the neutral background of modern life, the figure of “The Colonial Cavalier.”
Source: Gutenberg

Maud Wilder Goodwin The Colonial Cavalier; or, Southern Life before the Revolution

Real life had its tragedies, too. In the deep wainscoted hall of the Brandon Mansion hangs a portrait of lovely Evelyn Byrd. She sits on a green bank, with a handful of roses and a shepherd’s crook in her lap—her soft, dark eyes look out in pensive sadness as though they could, if they would, tell the story of a maiden’s heart and a life ended untimely by unhappy love. One story says she broke her heart for Parke Custis, who left her to wear the willow, and married afterward the Martha Dandridge, who in the whirligig of time became Lady Washington.
Source: Gutenberg

Maud Wilder Goodwin The Colonial Cavalier; or, Southern Life before the Revolution

The whole commerce between master and slave is a perpetual exercise of the most boisterous passions, the most unremitting despotism on the one part, and degrading submission on the other. Our children see this and learn to imitate it, for man is an imitative animal. This quality is the germ of all education in him. From his cradle to his grave, he is learning to do what he sees others do. If a parent could find no motive either in his philanthropy or his self-love for restraining the intemperance of passion toward his slave, it should always be a sufficient one that his child is present.
Source: Gutenberg

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