Maurice Jonas

“ Anyone reading the interview with the players and the play-acting scene in “Hamlet” cannot doubt for a moment that Shakespeare derived intense satisfaction and happiness from his theatrical life; there is a ring of enthusiasm in all those scenes in which he alludes to the theatre, and revels in everything connected with the art of the theatre. Being an actor may have barred him from any great social success, and he may have written the lines in the sonnets when in a moody humour, or at some insult levelled against him at the common playhouse. ”

“ If you think I come hither as a lion, it were pity of my life: no, I am no such thing; I am a man as other men are”; and there indeed let him name his name, and tell them plainly, he is Snug, the joiner.
QUIN.
Well, it shall be so. But there is two hard things; that is, to bring the moonlight into a chamber, for, you know, Pyramus and Thisby meet by moonlight.
SNOUT.
Doth the moon shine that night we play our play? ”

“ Even the better educated classes cannot rise much above the red-nosed comedian or the cracked-voiced variety artist or to visit nightly some filthy so-called musical comedy or revue at a West End theatre, with courtesans posing as actresses, and low music-hall performers, introducing before a fashionable audience all sorts of vulgarisms and indecent jokes and styling themselves heaven-born actors and actresses, thus further insulting a noble profession. ”

“ It was not only in Shakespeare’s days that reformation was needed: how often in our days is a well-written part mangled out of recognition by the slovenliness and stupidity of the impersonator. Study this speech, and, if you are in danger of forgetting it, study it again; it is the very alpha and omega of your great art. Shakespeare’s motive in assigning this speech to Hamlet may be for the better instruction of the actor in delivering the dozen or sixteen lines, which Hamlet inserted in the play of Gonzago’s murder. ”

“ Be not too tame neither, but let your discretion be your tutor; suit the action to the word, the word to the action; with this special observance that you o’erstep not the modesty of nature, for anything so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as ’twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. ”

“ What a contrast in comparison to a performance of a Greek play, when twenty thousand people were seated in a public theatre and watched with enthusiasm and delight the tragic masterpieces of Æschylus, Sophocles, Euripides and the biting satirical comedies of Aristophanes, and pray remember that these great plays were written and performed about two thousand years before these puny dramatic efforts of our own people. In large towns like York, sixteen stations were erected to satisfy the demands of the public. In a small town about three or four would supply all needs. ”

“ It is not the fashion to see the lady the epilogue. If it be true that good wine needs no bush! ’tis true that a good play needs no epilogue, yet to good wine they do use bushes; and good plays prove the better by the help of good epilogues. What a case am I in then, that am neither a good epilogue, nor cannot insinuate you on the behalf of a good play! ”

“ James Burbage, one of the leading actors in the Earl of Leicester’s Company, was by trade a joiner, and quite appropriately the builder of the first organized theatre not only in England but in modern Europe. This momentous decision proved of untold benefit in the course of the development of the drama, besides protecting his company from molestation and persecution. This almost inspired act prepared the way for the mighty genius who holds the world in awe, who was thus able to profit by this vast improvement and decisive innovation in the dramatic world. ”

“ Will not a filthy play with a blast of a trumpet sooner call thither a thousand than an hour’s tolling of the bell bring to a sermon a hundred? Nay, even here in the City, without it be at this place and some other ordinary audience where you shall find a rehearsal of company, whereas if you visit to the Theatre the Curtain and other places of players in the City you shall on the Lord’s Day have their places with many other that I cannot reckon so full as possible they can throng. ”

“ Wonder not for with thee will I first begin, thou famous gracer of Tragedians, that Greene, who hath said with thee like the fool in his heart, ‘There is no God,’ should now give glory unto his greatness, for penetrating in his power his hand is heavy upon me, he hath spoken to me with a voice of thunder, and I have felt he is a God that can punish enemies. ”

“ London topography is at times very misleading, and requires the proverbial patience of the time honoured prophet in unravelling many of its mysteries. Not a single inhabitant of Shoreditch could direct you to the site of the theatre and would stare in bewilderment if you enquired for Gloucester Street, even so slight an error can cause vexation and loss of time, which is my reason for pointing out this mistake. The form of the stage buildings, the auditorium, entrances and exits were in all probability similar in construction with that in vogue at the Theatre. ”

“ Have we not houses of purpose built with great charges for the maintenance of them, and that without the Liberties, as who shall say ‘There let them say what they will we will play.’ I know not how I might with the godly learned especially more discommend the gorgeous playing places erected in the fields than term it as they please to have it called a Theatre. ”

“ In Europe, during the sixteenth and seventeenth centuries a play extempore was a usual form of entertainment, and was deservedly extremely popular. In this country this nimble art never took root, and was purely known as an exotic of an Italian growth. From mere buffoonery the “commedia dell’ arte” or “all improvviso,” as it was indifferently named, developed into true comedy, and many of the situations were in later times used by Molière, the grand Comique, in the literary, as well as in its histrionic sense. ”

“ In spite of three hundred years’ progress and free education and all the aids to refinement that lie at the door of all Londoners, the mass of the people clearly demonstrate by the class of their amusement how little they have materially benefited by their education, constantly demanding the villainous dreadfulness of low class entertainments instead of encouraging the refined pleasures of a Shakesperean performance. ”

“ That will ask some tears in the true performing of it; if I do it, let the audience look to their eyes; I will move storms, I will condole in some measure. To the rest: yet my chief humour is for a tyrant; I could play Ercles rarely, or a part to tear a cat in, to make all split. ”

“ When the Shakespeare Reading Society placed a tablet on the site of the first Globe Theatre, the handsome bronze plaque was erected on the south side of Park Street, which has lately been proved to be a palpable error, the real site of this historic building being situated on the north side. The localities where stood the early English theatres have changed so out of all recognition during the last two centuries that only an antiquarian who has access to old deeds can with any degree of certainty fix the limits of old houses and public buildings. ”

“ Sir Richard Baker, in his chronicle history of the reign of Queen Elizabeth, published in 1643, mentions Shakespeare in the double capacity of poet and player. As the reference is rather interesting, I append it in full:
“Men of Note in her times (Elizabeth) (Statesmen, Writers and Divines) . After such men it might be thought ridiculous to speak of stage-players, but seeing excellence in the meanest things desires remembering, as Roscius, the Comedian, is recorded in History with such commendation, it may be allowed us to do the same, with some of our Nation. ”

“ SHAKESPEARE AS AN ACTOR Nearly a quarter of a century of Shakespeare’s life was passed in the theatrical world. Under these circumstances we should naturally expect to find scattered through his works many allusions in connexion with the stage. On this point we shall not be disappointed; with the exception of “Titus Andronicus,” which many critics discredit the Shakesperean authorship, every play contains references to the contemporary stage. ”

“ It would offend the aristocratic and titled owner, whose property must be protected at all costs. If I were on a Board Council, not only would I confiscate the property and quickly sweep it off the face of the earth, but would heavily fine and imprison the owners as being pests to society. Shoreditch, God help us! is an awful place. The thought that Shakespeare’s plays were first produced in this neighbourhood seems to cast a stigma on his name, and that the present state of affairs should exist after three hundred years of social progress! ”

“ The players either acted at a regular theatre or in an inn-yard, and at both places acting took place in the open air. The only solution possible is that the actors rented a large room of one of the inns or taverns and there acted by candlelight, otherwise beginning at such a late hour cannot be accounted for.
[Pg 237]
AS YOU LIKE IT STAGE, PLAYERS, EXITS, ENTRANCES, PLAYS, PARTS, ACTS, SCENE.
All the world’s a stage,
And all the men and women merely players:
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. ”

“ An attempt in picking out the actual lines is mere sophistication, and a profitless and useless discussion. In introducing a play within a play, Shakespeare endeavours to beguile the audience to believe in the reality of the play and in the artificiality of the play scene; for this purpose he employs rhyme couplets instead of the ordinary dialogue and blank verse. The style of the interlude is further mocked by the forced conceits and bombastic nature of the language. ”

“ Actual experience teaches me that few people take any intelligent interest in the subject or any other which does not in some particular manner add to their commercial prosperity. Naturally, where so many neglect the pleasures of the mind, the ignorance and stupidity of the majority of the people pass unnoticed, otherwise any person totally unacquainted with the history of the City of London would be looked upon as a common lout, fitting only to herd with the base-minded. ”

“ The general public of the day reads nothing of this mass of literature, with the exception of Shakespeare’s works, although many of the books are really worth perusal. Even Plutarch’s Lives, the most popular book of the last three centuries, is entirely neglected.
The lengthy description which is given in relating the history of the Swan Theatre applies in a more or less degree to all the other Shakesperean theatres, and now the mournful duty remains of chronicling the total destruction of the first Globe Theatre by fire. ”

“ In most ages, even the present one, the clergy have persistently set their faces against play acting without sufficiently analysing the reasons for their embittered attacks, therefore their testimony must be accepted as prejudiced partisans, which neither voice the view of the populace nor of the cultured classes. Contemporary records afford ample proof that the stage was frequented by all sorts and conditions of people, the rowdy section seeming to predominate, only the puritanical section, chiefly composed of the middle classes, kept aloof. ”

“ Having a mixed audience he was obliged to flavour his plays with savoury matter, what we should call spicy bits, for seeking the suffrage of the groundlings, and on some occasions treated these matters in no very delicate way according to our present notions. Shakespeare used the big brush, and laid it on pretty thick, proving the truth of Pope’s couplet:
“For gain, not glory, winged his wordy flight
And grew immortal in his own despite.” ”

“ Even in our days a sensational and exciting performance would rather engage the attention of the critics of the daily papers than, in their eyes, the lesser attraction of a Shakesperean performance even if acted by celebrated players. ”

“ The literature of the day barely mentions the name of The Theatre, yet this building had flourished for over a period of twenty years. Stow mentions the Theatre once, only to be withdrawn from his second edition, possibly the sour old Puritan, condemned in his heart all play acting, and fervently desired the expulsion of all actors, plays, and their authors from the domain of the City. The antiquary, Stow, may well represent a type of the better class citizen utterly unsympathetic with the new drama, and entirely adverse to all kinds of amusement. ”