Summary

Portrait of Michel de Montaigne Michel de Montaigne The Essays of Montaigne — The Life of Montaigne (1877)

Coldly as Montaigne's literary productions appear to have been received by the generation immediately succeeding his own age, his genius grew into just appreciation in the seventeenth century, when such great spirits arose as La Bruyere, Moliere, La Fontaine, Madame de Sevigne. "O," exclaimed the Chatelaine des Rochers, "what capital company he is, the dear man! he is my old friend; and just for the reason that he is so, he always seems new.
Source: Wikisource

Portrait of Michel de Montaigne Michel de Montaigne The Essays of Montaigne — The Life of Montaigne (1877)

But it was likely that these disfigured remains were the least entitled to attention, and that the enemies of that immortal renown, in their fury, had addressed themselves in the first instance to the destruction of what was most beautiful and worthiest of preservation; and that the buildings of this bastard Rome, raised upon the ancient productions, although they might excite the admiration of the present age, reminded him of the crows' and sparrows' nests built in the walls and arches of the old churches, destroyed by the Huguenots.
Source: Wikisource

Portrait of Michel de Montaigne Michel de Montaigne The Essays of Montaigne — The Life of Montaigne (1877)

We see that Montaigne travelled, just as he wrote, completely at his ease, and without the least constraint, turning, just as he fancied, from the common or ordinary roads taken by tourists. The good inns, the soft beds, the fine views, attracted his notice at every point, and in his observations on men and things he confines himself chiefly to the practical side.
Source: Wikisource

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