Mrs. Oliphant

Mrs. Oliphant

Summary

Portrait of Mrs. Oliphant Mrs. Oliphant A Story of a Voice (1883)

Miss Mead, with a silvery overflow of sound, which somehow pleased, even while it disconcerted, the impulsive man. And then what was he to do? Compassion had impelled Mr. Oldham to this enterprise without much time for thought, but it was, perhaps, the hardest of all his experiences. He sat down, not without some difficulty, in a curiously low chair, which, to his confusion, he found to be a rocking-chair, and held out his arms to the child. “Will you come to me, Charlie?” he said, in his softest voice, blushing fiery red, and feeling as if he never could, by any means, get up again.
Source: Wikisource

Portrait of Mrs. Oliphant Mrs. Oliphant A Story of a Voice (1883)

Oldham, starting from his chair, “he hasn’t opened his lips since first he saw me opposite. What do you suppose it means, gentlemen? Can’t he speak? or doesn’t he dare to open his lips before me? He can clear himself if he will,” continued the impulsive speaker, growing hotter and hotter. “I challenge him to speak if he dares—but if he doesn’t speak, he’s my prisoner; let any man interfere at his peril. Speak out, sir—if it wasn’t you that killed Jasper Tyrrel, and stole the child at Beddington, speak out, and say it’s a lie!”
Source: Wikisource

Portrait of Mrs. Oliphant Mrs. Oliphant A Story of a Voice (1883)

When he got up of a morning in the sudden access of virtuous feeling which is apt to come upon a man when he pulls the string of his shower-bath, uncomfortable pricks of conscience overtook his charitable soul. He had promised to find her child for her, poor little thing, and he had not done it; the little dark figure in her deep mourning sometimes would intrude even into the sunny landscape brightened by Miss Mead, and then he would resolve upon some enormous but vague exertions. But if nothing came of the detective who was so superior, what could poor Mr. Oldham do?
Source: Wikisource

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